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Behind the US/Worldwide Weekend Box Office – 6/28/15

  OPENINGS:  TED 2 (MRC/Universal) suffered a 16% Friday-to-Saturday drop, and is currently projected by its studio to have a $33M weekend, down 40% from the $54.4M start for the original Ted 3 years ago.  Overseas, Ted ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8/14/16

  OPENINGS:  The SAUSAGE PARTY (Annapurna/Columbia/Sony) audience was somewhat frontloaded, with a 16% Saturday decline, but the weekend total of $33.6M was still outstanding, the best starring debut for Seth Rogen since ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8/24/14

  OPENINGS:  IF I STAY (Warners/MGM) was the best of a weak trio, opening with $16.4M and with an 18% drop on Saturday that indicated moderate front-loading.  It should reach a fair $40-50M US total, which could get it t...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/15/15

  OPENINGS:  LOVE THE COOPERS (CBS/Lionsgate) was the best of a bad bunch, launching with $8.4M.  That’s 30% less than the $12.5M start of 2005’s The Family Stone, but the studio can take some solace from the...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/15/15

  OPENINGS:  This year’s Saturday night Valentine’s Day worked out well for everyone this weekend, but especially for FIFTY SHADES OF GREY (Universal/Focus).  The prospect of some kink refreshed the movieR...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/14/16

  A Valentine’s Day in the middle of Presidents Day weekend allowed for strong Sunday studio estimates–in one case, suspiciously so. OPENINGS:  A couple of notable sidelights to the gargantuan success of DEADP...
by Mitch Salem
 
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Behind the Weekend Box Office – 4/20/14

  OPENINGS:  THE AMAZING SPIDER-MAN 2 (Sony) won’t arrive in the US for almost 2 weeks, and so far it’s in only 14 international markets–and it was still the biggest story of the weekend, pulling in $47M...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/2/13

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost l...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9/21/14

  OPENINGS:  THE MAZE RUNNER (20th) is off to a healthy start worldwide, leading the US with $32.5M and overseas with $37.9M, the latter in 47 territories (and such major areas as Western Europe and China still to come).�...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.6.2017

  OPENINGS:  Not much changed between Friday’s results and weekend studio estimates.  THE DARK TOWER (MRC/Columbia/Sony) was unsurprisingly frontloaded between fans of the novels and bad word of mouth, and it dropp...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 3/1/15

  OPENINGS:  When studios trot out “bad weather” as their excuse for an underwhelming opening, it’s the industry equivalent of citing a homework-eating dog–and this week, it’s particularly cl...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/21/16

  OPENINGS:  RISEN (Affirm/Columbia/Sony) topped the weekend’s arrivals with an $11.8M start that was above the $11.4M for War Room and the $9.2M for God’s Not Dead, although it was well below Heaven Is For Re...
by Mitch Salem
 
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Behind the Worldwide Box Office – 5/11/14

  Note:  Most of the studios are pinning extremely aggressive Sunday estimates on the hope that their movie will be a popular Mothers Day destination, so look for a potentially larger than usual set of adjustments in fina...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/12/15

  OPENINGS:  MINIONS (Illumination/Universal) had a surprisingly bumpy 16% drop on Saturday, but it will handily become the #2 animated opening of all time, topping Toy Story 3‘s $110.3M, even if the studio’s ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/5/14

  It was a strong multiplex weekend all over the world this week, which was good news for Hollywood and its overseas equivalents. OPENINGS:  Although David Fincher is considered one of cinema’s heavy hitters, heR...
by Mitch Salem
 
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