Posts Tagged ‘tv reviews’
 

 

THE SKED SEASON FINALE REVIEW: “Shameless”

  In the post-Homeland era of Showtime, SHAMELESS, the network’s Parenthood on crack, has been pushed even farther to the background–and to be sure, the two shows aren’t comparable in terms of seriousness...
by Mitch Salem
 

 
 

THE 10 BEST TV SHOWS OF 2014 and Other Small-Screen Thoughts

  How long can television (or “television,” since programming is now viewed on a multitude of screens and platforms) stay as good as it is right now?  It used to be tough to find 10 TV shows in a year worthy o...
by Mitch Salem
 

 

 

THE SKED MIDSEASON FINALE REVIEW: “Scandal”

  SCANDAL has been having a barn-burner of a Season 2, emerging as a pulpier, crazier Homeland (not that Homeland hasn’t been pretty crazy the last couple of weeks), a DC-set melodrama where everybody is lying to som...
by Mitch Salem
 

 
 

THE SKED PILOT + 1 REVIEW: “Girls”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Revenge”

  A show like REVENGE is supposed to glory in its Season Finales.  It’s the one time when things can really happen:  characters can die, plotlines can resolve, shocking surprises can be introduced.  In a way a sea...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Brand X With Russell Brand”

  BRAND X WITH RUSSELL BRAND:  Thursday 11PM on FX – Change the Channel Russell Brand has been more or less flailing around for the past several years, trying to find a place in American pop culture.  His introduct...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Longmire”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Louie”

  LOUIE:  Thursday 10:30PM on FX WHERE WE WERE:  In the mind of Louis C.K.  It’s a place where a moderately successful working stand-up comic named Louie shares custody of two daughters with his ex-wife and lives ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Go On”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED MIDSEASON (?) FINALE REVIEW: “The LA Complex”

    Even by CW standards–and this is a network where shows that could barely hold a slot in basic cable get renewed–THE LA COMPLEX is a clear flop, watched by about  2/10 of 1% of the 18-49 year old audie...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Necessary Roughness”

  A very busy season of NECESSARY ROUGHNESS came to an end tonight with an unusually far-fetched hour.  The show isn’t exactly known for its hard-hitting realism, but this episode, written by series creators Liz Kru...
by Mitch Salem
 

 
 

THE SKED FINALE REVIEW: “Hatfields & McCoys”

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment wr...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “CSI”

    This year, the original Las Vegas-set CSI, about to begin its 12th season on the air, faced not one but two crossroads.  A couple of years earlier, the show’s original star William L. Petersen had decided a...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Happy Endings”

> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show:  The Office and Parks & Recreation both took that journey (the ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Awake”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem