Posts Tagged ‘tv reviews’
 

 

THE SKED’S PILOT + 1 REVIEW: “Once Upon A Time”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “The River”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Happy Endings”

> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show:  The Office and Parks & Recreation both took that journey (the ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  Anyone who saw the ONCE UPON A TIME pilot and thought the series would be worth watching only “if nothing else is on” would surely have to be an idiot–and in this case, that idiot was me.  I couldnR...
by Mitch Salem
 

 

 

THE SKED FINALE REVIEW: “Hatfields & McCoys”

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment wr...
by Mitch Salem
 

 
 

THE SKED PILOT REVIEW: “Perception”

  PERCEPTION:  Monday 10PM on TNT – Change the Channel   A man stands on a chair in the middle of a police station, earphones fastened to his head, and frantically conducts the symphony he’s listening to....
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Necessary Roughness”

  A very busy season of NECESSARY ROUGHNESS came to an end tonight with an unusually far-fetched hour.  The show isn’t exactly known for its hard-hitting realism, but this episode, written by series creators Liz Kru...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Louie”

  LOUIE:  Thursday 10:30PM on FX WHERE WE WERE:  In the mind of Louis C.K.  It’s a place where a moderately successful working stand-up comic named Louie shares custody of two daughters with his ex-wife and lives ...
by Mitch Salem
 

 

 

THE SKED’S MIDSEASON RETURN: “Grey’s Anatomy”

> Even diminished from the powerhouse it once was, GREY’S ANATOMY is the foundation of ABC’s drama schedule, and its return to the air after a nearly 2 month absence should lift the network’s Thursday consider...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “GCB”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED PILOT REVIEW: “Veep”

> VEEP:  Sundays 10PM on HBO – Potential DVR Alert   Although of course it made all the sense in the world to precede tonight’s premiere of its new political comedy VEEP with the trailer for its upcoming p...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Community”

  NBC’s marathon 90-minute festival of new COMMUNITY episodes tonight (interrupted by the 30 Rock season finale at 8:30) was less an expression of love from the network than a who-cares approach to the night, schedul...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Mad Men”

The title of MAD MEN‘s Season 5 finale was “The Phantom,” and as is almost always the case with Matthew Weiner’s opus, it had several meanings.  (Weiner shared credit for the finale’s script with ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Happy Endings”

  Here lies HAPPY ENDINGS, one of the funniest comedies on all of television–foully murdered by some of the worst scheduling moves in recent network memory.  ABC began the season by sending the show (along with Don&...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Suburgatory”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem