Posts Tagged ‘worldwide box office’
 

 

Behind the US/Worldwide Weekend Box Office – 5.5.2019

  OPENINGS:  THE INTRUDER (Screen Gems/Sony) performed on target with $11M, and given the massive competition and the fates of the weekend’s other arrivals, that counted as a win.  It still wasn’t anything to...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.15.2020

  This was the weekend that the COVID-19 crisis hit the box office in earnest, and while that fact pales in importance compared to the human cost of the pandemic, it’s going to represent a multi-billion dollar hit th...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 5.2.2021

  OPENINGS:  The only wide opening of the aweek was the low-budget horror movie SEPARATION (Open Road), which had a slow start at $1.8M. There were some new limited releases, led by FOUR GOOD DAYS (Vertical) at 298 theatr...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.2.2022

  OPENINGS:  With the latest MCU extravaganza waiting in the wings, Hollywood studios kept their wares out of the market, and the only arrival was the latest Liam Neeson vehicle (incredibly, he’s had 6 films in rele...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1.8.2023

  OPENINGS:  Early January is a potent slot for horror movies, and M3GAN (Blumhouse/Universal) kicked off the year with a strong $30.2M, essentially the same as last year’s $30M for the rebooted Scream, despite all ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.17.2023

  OPENINGS:  WONKA (Warners) kicked off the holiday movie season with $39M, at the upper end of expectations.  As a family entertainment, it can look forward to a high multiple into January, and could reach $200M+ in the...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8/3/14

  OPENINGS:  The world, if not the galaxy, belonged to GUARDIANS OF THE GALAXY (Marvel/Disney) this weekend.  In the US, its $94M start (as is typical, Disney estimated an aggressively strong Sunday, down just 19% from S...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7/31/16

  OPENINGS:  JASON BOURNE (Perfect World/Universal) is claiming a $60M US start, although as is par for the course, that number includes an aggressive Sunday estimate and could come down a bit on Monday.  In any case, it...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.18.2018

  OPENINGS:  FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (Warners) opened at $62.2M in the US, down 16% from the first Beasts.  In addition, it was more front-loaded, with a 16% Saturday drop compared to 12%.  Exit poll...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 8.11.2019

  OPENINGS:  SCARY STORIES TO TELL IN THE DARK (CBS/Lionsgate) dropped 21% on its 2nd day of release, which isn’t unusual for the horror genre (recently, The Curse of La Llorona fell 26% on its Day 2, and Child̵...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 11.15.2020

  OPENINGS:  FREAKY (Blumhouse/Universal) led the weekend at $3.7M.  It was the third consecutive weekend that a Universal-branded film opened at #1 (aided by the studio’s deal with AMC that allows its films to hit...
by Mitch Salem
 

 
 

Behind the Weekend US/Worldwide Box Office – 11.7.2021

  OPENINGS:  ETERNALS (Marvel/Disney) opened at the low end of expectations with $71M, not a surprise given its lousy reviews (48% on Rotten Tomatoes, unprecedented for the MCU) and blah audience exit polls.  Even so, th...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7.17.2022

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.18.2023

  OPENINGS:  There wasn’t any good news for this week’s wide releases, and that began with the weekend’s leader, as THE FLASH (DC/Warners) failed to meet even the lowest expectations with a sluggish $55....
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 4.7.2024

  OPENINGS:  MONKEY MAN (Universal) walked an odd path to theaters, originally being targeted for a Netflix release.  While the result earned strong reviews (87% on Rotten Tomatoes), there was no storybook ending at the ...
by Mitch Salem
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