Posts Tagged ‘weekend box office’
 

 

Behind the US/Worldwide Weekend Box Office – 2.2.2020

  OPENINGS:  A Super Bowl weekend opening generally doesn’t indicate studio confidence, and GRETEL & HANSEL (UA/MGM) started its box office life with a pale $6.1M weekend.  It probably won’t get much past...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11/8/15

  OPENINGS:  SPECTRE (MGM/Columbia/Sony) had the #7 opening of the year at $73M… yet there are signs of trouble.  While Skyfall rose 11% on its 2d day of wide release, and Casino Royale gained 5%, Spectre fell by 5...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7.30.2017

  OPENINGS:  Word of mouth caught up with THE EMOJI MOVIE (Columbia/Sony) on Saturday, with a 14% drop (by comparison, Captain Underpants rose 11% on its 2d day of release, and last year’s Angry Birds Movie jumped 4...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 9/18/16

  OPENINGS:  None of the studio releasing new films this weekend had much to be happy about.  BLAIR WITCH (Lionsgate) was the top of the newcomers in the US, but with a $9.7M start, it’s low-end even by the standar...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 5.20.2018

  OPENINGS:  Although unquestionably huge, and sure to be enormously profitable against roughly $250M in production/marketing costs, DEADPOOL 2 (20th) opened on the low end of expectations, about 5% below the first Deadpo...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10/16/16

  OPENINGS:  The biggest arrival of the weekend is still 2 weeks away from reaching the US.  INFERNO (Columbia/Sony), the latest in the DaVinci Code/Angels & Demons franchise, opened in 53 markets comprising about 2/...
by Mitch Salem
 

 

 

Weekend Studio Estimates 5.1-3.2015

Based on Friday’s and Saturday’s grosses, weekend #18 of 2015 now looks like $221 million for the top 12 films Friday-Sunday, down from yesterday’s estimate ($249 million) but still above the norm for this we...
by Mitch Metcalf
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.3.2018

  OPENINGS:  ADRIFT (H Brothers/STX) was at the top of a very low hill with $11.5M (plus $350K in 9 overseas territories).  STX, which only has domestic rights, is claiming to be on the hook for only around $30M in limit...
by Mitch Salem
 

 

 

New Year’s Eve Box Office Update

  As was the case last Sunday, the weekend holiday has meant that estimates for New Year’s Day (which are all over the place, from 5% down to 40% up) are no more than speculative, and there are only fragmentary inter...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.17.2017

  OPENINGS:  STAR WARS: THE LAST JEDI (Lucasfilm/Disney) had an excellent Saturday for a blockbuster of its size, dropping 39% from Friday, where The Force Awakens had fallen 43%.  That cemented Last Jedi as the 2nd-high...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 9.2.2018

  OPENINGS:  Even among the mostly-sad legacy of Labor Day Weekend openings, OPERATION FINALE (MGM) was notably weak at $6M ($7.7M since its Wednesday launch), and that number incorporates a studio-estimated Sunday bump t...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.19.2019

  OPENINGS:  JOHN WICK CHAPTER 3: PARABELLUM (Thunder Road/Summit/Lionsgate) continued the upward climb of the franchise in the US with a $57M weekend, substantially ahead of the $30.4M for Wick 2, which was above the $14...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.1.2020

  OPENINGS:  THE INVISIBLE MAN (Blumhouse/Universal) had a 12% Saturday bump, evidence of extremely strong word of mouth in the horror genre (among recent uncommonly leggy horror releases, Get Out rose 17% on its 2nd day ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.5.2022

  OPENINGS:  David Cronenberg is a venerated filmmaker, but not a source of many box office hits:  in a career that spans more than 4 decades, his highest-grossing film in the US is still 1986’s The Fly at $40.5M (...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOX OFFICE – 12/29/13

  Truth be told, “weekend” box office doesn’t mean much in a week where Friday/Saturday/Sunday are no stronger than the weekdays that surround them, and virtually all the openings took place on Wednesday....
by Mitch Salem