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Behind the US/Worldwide Weekend Box Office – 12/20/15

  OPENINGS:  Here’s the crazy thing about the official record-busting $238M weekend estimate for STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney), which smashed the previous weekend record by more than 12%, and nearl...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5/29/16

  OPENINGS:  As we forecast on Friday night, X-MEN: APOCALYPSE (TSG/20th) isn’t just running lower than 2014’s Days of Future Past, it’s also been more frontloaded.  20th is projecting a $65M 3-day week...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/17/16

  OPENINGS:  GHOSTBUSTERS (Village Roadshow/Columbia/Sony) is reporting a $46M weekend (that number assumes the lowest Sunday drop in the Top 10, so it may come down a bit in finals), about 10% higher than the start for I...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1/17/16

  OPENINGS:  RIDE ALONG 2 (Universal) is projecting a $39.5M 4-day weekend, 19% below the $48.6M opening of the first Ride Along exactly 2 years ago.  That would put its US trajectory at $100-110M, enough to make it a fi...
by Mitch Salem
 
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BEHIND THE WEEKEND BOX OFFICE – 12/15/13

  OPENINGS:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) had a better Saturday hold than last year’s An Unexpected Journey (-22% vs. -25%), suggesting that positive word of mouth is kicking in, and no doubt ea...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1/24/16

  OPENINGS:  The east coast blizzard seems to have had less effect on the weekend box office than one might have assumed, considering that all the newcomers went up from Friday to Saturday, even though they were in typica...
by Mitch Salem
 
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Behind the Weekend Box Office – 2/23/14

  OPENINGS:  For both 3 DAYS TO KILL (Relativity) and POMPEII (TriStar/Sony/FilmDistrict), the only hope of salvation lies overseas.  3 Days, at least, has a relatively low production cost, but even if the reported $28M ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/14/16

  A Valentine’s Day in the middle of Presidents Day weekend allowed for strong Sunday studio estimates–in one case, suspiciously so. OPENINGS:  A couple of notable sidelights to the gargantuan success of DEADP...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/9/16

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than s...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 3/8/15

  OPENINGS:  For the major studios, the scariest part of the failure of CHAPPIE (MRC/Columbia/Sony) isn’t its lousy $13.3M US opening, which topped a barely-breathing domestic box office, but rather its extremely un...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/21/16

  OPENINGS:  RISEN (Affirm/Columbia/Sony) topped the weekend’s arrivals with an $11.8M start that was above the $11.4M for War Room and the $9.2M for God’s Not Dead, although it was well below Heaven Is For Re...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/30/16

  OPENINGS:  As is frequently the case these days, the biggest opening numbers are outside the US.  DOCTOR STRANGE (Marvel/Disney) won’t arrive here until Thursday night, but it’s already racked up $86M in 33...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/12/15

  OPENINGS:  MINIONS (Illumination/Universal) had a surprisingly bumpy 16% drop on Saturday, but it will handily become the #2 animated opening of all time, topping Toy Story 3‘s $110.3M, even if the studio’s ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/29/16

  OPENINGS:  The really bad news for GODS OF EGYPT (Summit/Lionsgate) wasn’t the $14M US opening, although that was certainly pathetic enough.  No, the really bad news was that in 68 overseas territories covering m...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/26/15

  OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becom...
by Mitch Salem
 
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