Posts Tagged ‘tv reviews’
 

 

THE SKED SEASON FINALE REVIEW: “Mad Men”

The title of MAD MEN‘s Season 5 finale was “The Phantom,” and as is almost always the case with Matthew Weiner’s opus, it had several meanings.  (Weiner shared credit for the finale’s script with ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Happy Endings”

  Here lies HAPPY ENDINGS, one of the funniest comedies on all of television–foully murdered by some of the worst scheduling moves in recent network memory.  ABC began the season by sending the show (along with Don&...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Suburgatory”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED PREMIERE REVIEW: “The Finder”

> THE FINDER – Thursdays 9PM on FOX – If Nothing Else Is On… THE FINDER has already had a pilot of sorts, which aired last season as an episode of BONES.  While the series is based on the character Walter...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Whitney”

> And so we come to the age-old query:  after 6 months and 22 half-hours of television, has WHITNEY gotten any better? Well, it’s changed.  A revisit to the show on the occasion of its season finale, written by ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “New Girl”

      It’s not all that unusual for a TV comedy to improve during the course of its first season, as it discovers its distinctive comic voice (that was the case with Happy Endings, and The Office as well).�...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Modern Family”

    There’s no half-hour on network television more consistently accomplished than MODERN FAMILY.  The show may not reach for the demented highs of a Community (at least, you know, the old Community), 30 Rock o...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Killing”

And finally, after 2 seasons, 26 hours of television, seemingly a hundred red herrings, and enough rain to float the SS Poseidon, THE KILLING revealed who killed Rosie Larsen.  The only thing that was ever worth spoiling on th...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Grimm”

  GRIMM:  Monday 9PM thru Sept 10; Friday 9PM starting Sept 14 on NBC – Worth A Look   WHERE WE WERE:  Meeting Mom.  Nick Burkhardt (David Giuntoli) is a Portland homicide detective who’s also a “...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Grimm”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED MIDSEASON PREMIERE REVIEW: “The Walking Dead”

> Previously On… THE WALKING DEAD:  Our erstwhile humans spent many, many episodes on a farm owned by cranky vet Hershel (Scott Wilson), while they searched for the missing Sophia (Madison Lintz).  There were lo...
by Mitch Salem
 

 
 

The Sked: PREMIERING TONIGHT: Don’t Trust the B- in Apt 23 REVIEW

>Premiering tonight after Modern Family on ABC (at 9:30/ 8:30 Central) is Don’t Trust the B- in Apt. 23 (formerly titled Don’t Trust the Bitch in Apt. 23 or simply Apt. 23 during the upfront season last year, when t...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Bones”

  There was no way BONES could top its season finale from last year, when the show finally addressed its eternal Will They Or Won’t They? about Dr. Temperance Brennan (Emily Deschanel) and FBI Agent Seeley Booth (Dav...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Touch”

TOUCH is a show that thrives on impenetrable mysteries, so perhaps one day it will solve its own.  The show was FOX’s big midseason drama play (Terra Nova was the fall’s), by virtue of being created by Heroes write...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Covert Affairs”

  COVERT AFFAIRS:  Tuesday 10PM on USA   WHERE WE WERE:  At the CIA, where Annie Walker (Piper Perabo), the young, beautiful languages expert who supposedly works for the Smithsonian, is actually an agent.  (She me...
by Mitch Salem