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SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 11.18.2014

  THE VOICE isn’t what it used to be. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audien...
by Mitch Metcalf
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 3.5.2019

  A special episode of THE BACHELOR changed the night’s dynamics a bit. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographic...
by Mitch Salem
 
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SHOWBUZZDAILY’s Tuesday 12.7.2021 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  LIVE IN FRONT OF A STUDIO AUDIENCE led the night at 0.96, although that was down from 1.2 for the previous installment in December 2019.  ABBOTT ELEMENTARY (which will return in January) premiere...
by Mitch Metcalf
 
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SHOWBUZZDAILY’s Tuesday 7.19.2022 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  Reruns at 0.35/0.21/0.14. CBS:  Reruns at 0.22/0.21/0.24. NBC:  AMERICA’S GOT TALENT fell a tenth to 0.63, and DANCING WITH MYSELF was down 0.06 to 0.33. FOX:  The MLB ALL-STAR GAME was a...
by Mitch Salem
 
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SHOWBUZZDAILY’s Tuesday 2.28.2023 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  THE ROOKIE dropped 0.08 to 0.47, THE ROOKIE: FEDS slipped 0.02 to 0.31, and WILL TRENT was down 0.04 to 0.25. CBS:  The FBI franchise had the mothership up 0.04 to 0.52, INTERNATIONAL up 0.05 to ...
by Mitch Metcalf
 
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THE SKED: WHAT TO WATCH THIS FALL ON TUESDAYS (1st Draft)

> The networks have proclaimed their Fall schedules, the new series have been (partially) unveiled, so… what now?  What will actually be worth watching when network TV comes back to life in a few months?  SHOWBU...
by Mitch Salem
 
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The Sked: TUESDAY RATINGS November 22 & Sweep Update

>Dancing with the Stars Results put ABC in the win column last night, which is normal for the final Tuesday of the November sweep, when the plastic trophy is awarded to America’s favorite dancer.  However, ABC is run...
by Mitch Metcalf
 
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THE SKED SEASON PREMIERE REVIEW: “Breaking In”

> WHERE WE WERE:  Contra Security, a wacky high-tech firm run by the extravagantly enigmatic Oz (Christian Slater).  Contra tests the security measures of its clients by cracking them wide open, staging mock break-ins...
by Mitch Salem
 
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THE SKED FALL TRAILER REVIEW: NBC’s “The New Normal”

    THE NEW NORMAL:  Tuesdays 9:30PM on NBC   WHAT IT’S SAYING:  A new kind of family sitcom:  gay couple, surrogate mother, her daughter–and her bitchy, bigoted (but, you know, funny) grandmother....
by Mitch Salem
 
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THE SKED SEASON PREMIERE(S) REVIEW: “New Girl”

  NEW GIRL:  Tuesday 9PM on FOX WHERE WE WERE:  In an apartment with four very strange inhabitants:  Jess (Zooey Deschanel) of the title, who does have her magic pixie dream girl moments but enough issues and grit of he...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 5/14/13

  With May sweeps/Upfront week ratings like last night’s, you have to feel sorry for the network Ad Sales departments. FOX:  A night of premieres and finales caused no excitement.  SO YOU THINK YOU CAN DANCE premie...
by Mitch Salem
 
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The Sked: TUESDAY Ratings

Tuesday fast national ratings with relevant comparisons:
by Mitch Metcalf
 
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SHOWBUZZDAILY’s Top 25 Tuesday Cable Originals: 9.2.2014

Ratings for the Top 25 original cable telecasts Tuesday:  
by Mitch Metcalf
 
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The Sked: Tuesday Network Scorecard 5.8.2018

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ s...
by Mitch Metcalf
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 12.18.2018

  THE VOICE fall finale and a lot of reruns. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 r...
by Mitch Metcalf
 
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