Posts Tagged ‘Toronto’
 

 

THE BIJOU @ TIFF: First Titles Announced

>SHOWBUZZDAILY will be at the Toronto International Film Festival in September, and today TIFF announced the first group of movies being screened (there are plenty more to come over the next few weeks).  Here’s the f...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Shame”

> Although Fox Searchlight didn’t actually acquire Steve McQueen’s film Shame until last Saturday, in a sense the marketing campaign for the film began when the producers made it clear that the film would not be edi...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Peace, Love & Misunderstanding”

> I wasn’t aware that the Toronto Film Festival showed TV pilots until I caught a screening of PEACE, LOVE & MISUNDERSTANDING.  As a pilot, Peace certainly has its appeal, with a strong cast that includes Jane Fo...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Judgment Day

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Albert Nobbs”

> Rodrigo Garcia’s film ALBERT NOBBS (he shares auteurship with Glenn Close, who served as screenwriter with John Banville and Gabriella Prekop and as a producer as well as star) caters to what used to be called the James...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on ...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Butter”

> Jim Field Smith’s comedy BUTTER, which premiered at the Toronto Film Festival, ambitiously makes a play for both the heartwarming indie Little Miss Sunshine audience and the satire-minded Election crowd.  That may ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Werner Herzog’s “Into the Abyss”

> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog&#...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Rampart”

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMP...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Master”

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus ha...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF; Collected Reviews

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MA...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem