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THE SHOWBUZZDAILY REVIEW: “The Master”

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus ha...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...
by Mitch Salem
 
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THE BIJOU @ TIFF: Madonna’s “W.E.”

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movie...
by Mitch Salem
 
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THE BIJOU @ TIFF: Judgment Day

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...
by Mitch Salem
 
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THE BIJOU @ TIFF: Toronto Film Festival Recap

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the re...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “No One Lives”

  As movie bloodbaths go, NO ONE LIVES is almost–but not quite–clever enough to be worth seeing. We start with a backwoods family of petty outlaws, headed by father Hoag (Lee Tergesen) and including his wife, b...
by Mitch Salem
 
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THE BIJOU @ TIFF: The Road Begins

> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short).  This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has it...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on ...
by Mitch Salem
 
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THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor�...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Your Sister’s Sister”

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improv...
by Mitch Salem
 
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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 
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