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THE SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/10/12

> You’re frontloaded!  No, you’re frontloaded! OPENINGS:  The movie audience has 3 main components–men, women, kids–and a weekend that offers a strong title for each one has a good chance of be...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/3/12

> A surprisingly strong start for 2 low-budget arrivals, although the upside is limited by tomorrow’s Super Bowl. OPENINGS:  CHRONICLE (20th) had a slight $350K edge over THE WOMAN IN BLACK (CBS Films) on Friday, and...
by Mitch Salem
 
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THE SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 2/12/12

> Hollywood Hearts this weekend. OPENINGS:   It turned out that THE VOW (Screen Gems/Sony) was indeed slightly more frontloaded than SAFE HOUSE (Universal), but not by enough to rob it of 1st place.  Vow‘s ...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/24/12

> Navy SEALs shoot up the Friday boxoffice. OPENINGS:  The very aggressive marketing for ACT OF VALOR (Relativity) made it seem like it was a patriotic duty to see the film, and successfully hid the fact that it’s mo...
by Mitch Salem
 
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THE BIJOU’S FRIDAY STUDIO SCORECARD – 12/2/11

> The post-Thanksgiving weekend is usually brutal, and this year is no exception. BREAKING DAWN PART 1:  The likely 60% drop from last weekend is as expected for this very front-loaded series.  Right now the film is r...
by Mitch Salem
 
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STATUETTE STAKES: The Oscar Race That Wasn’t

> This year’s Academy Awards have so far engendered the kind of enthusiasm and excitement usually associated with a suburban DMV office on a Tuesday afternoon.  People seem to be sullenly resigned to the inevitabilit...
by Mitch Salem
 
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STATUETTE STAKES: National Board of Review Has Its Day

> The National Board of Review is an organization with a virtually unknown membership that exists in public consciousness for precisely one day per year, and this is their day:  the announcement of their film awards. ...
by Mitch Salem
 
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THE BIJOU: Early Wednesday Boxoffice – 11/23/11

> Deadline has preliminary boxoffice figures for Wednesday, and there doesn’t seem to be great news for anyone.  BREAKING DAWN PART 1 appears to be the easy winner for the day and probably for Thanksgiving weekend, b...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 2/26/12

> As Hollywood prepares to honor its best (well, this year… maybe not so much), an undistinguished group of arrivals dominate the boxoffice. OPENINGS:  ACT OF VALOR (Relativity) is claiming the lowest Sunday decline ...
by Mitch Salem
 
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COUNTING TO 10: The Globes – Movies

> Even though the Oscar race has had clear favorites in THE DESCENDANTS, THE ARTIST and THE HELP since last fall, the first 2 haven’t sparked any huge enthusiasm among the general public, where after almost 2 months, Desc...
by Mitch Salem
 
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THE BIJOU: Early Friday Boxoffice – 11/18/11

> Deadline has preliminary numbers for Friday, and they suggest BREAKING DAWN PART 1 will continue to narrowly edge out the opening weekend of New Moon in 2009, with a $73.5M Friday (compared to $72.7M for New Moon).  If t...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: WEEKEND STUDIO SCORECARD – 1/1/12

> With one startling exception and a couple of smaller ones, the holiday crop of movies declined on Saturday and are expected to recover on New Year’s Day. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL went ...
by Mitch Salem
 
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STATUETTE STAKES: The Ides of Golden Globes

> The Golden Globes are given out by 80 international journalists whose opinions, when they’re not voting on these awards, are of no importance whatsoever to anyone on the planet other than their particular loved ones.&nb...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: NEW YEAR’S WEEKEND STUDIO SCORECARD – 1/2/12

> As detailed in Mitch Metcalf’s Weekend Boxoffice Report, New Year’s Day wasn’t the bonanza the studios were expecting it to be. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL‘s Sunday incr...
by Mitch Salem
 
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BIJOU BOXOFFICE: Thanksgiving Studio Scorecard – 11/24/11

> HUGO: The boxoffice story of the holiday was undoubtedly Martin Scorsese’s quasi-family film.  While almost every other film of the day fell steeply or at best held around even, Hugo zoomed an astonishing 40% ...
by Mitch Salem
 
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