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SHOWBUZZDAILY @ SUNDANCE REVIEW: “2 Days In New York”

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her c...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Liberal Arts”

> Josh Radnor’s writing/directing debut happythankyoumoreplease, which played Sundance a couple of years ago, was a promising, entertaining NY-set romantic comedy-drama that hailed from the Woody Allen division of indie f...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE: Mini-Reviews

  Sundance is sometimes thrilling, but it can also be an ordeal.  Especially when the films are good, but not great.  And even more so if you arrive with limited tickets, and are left to the tender mercies of the Wait Li...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The First Time”



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Our Review / 5 - Terrible
by Mitch Salem
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THE BIJOU @ SUNDANCE: Let The (Show)Buzz Commence

> The Sundance Film Festival, like Toronto, issues its announcements about the films that will be screening in several stages.  (Sundance’s sadism about actually obtaining tickets, however, is all its own.)  Tod...
by Mitch Salem
 
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THE BIJOU @ SUNDANCE: Big-Time

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its hi...
by Mitch Salem
 
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SUNDANCE 2013: The Premieres

  The Sundance Film Festival saved its most high-profile announcements for today, releasing the titles of its Narrative and Documentary Premieres.  The lion’s share of the festival movies that reach theatres/VOD wil...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Goats”



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Our Review / 5 - Terrible
by Mitch Salem
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Compliance”

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty a...
by Mitch Salem
 
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SHOWBUZZDAILY FILM REVIEW: “The Way, Way Back”

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M p...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from ...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “V/H/S”

  V/H/S, which screened as part of Sundance’s Park City At Midnight series, is a gimmick piled upon a gimmick. First is the horror anthology itself, familiar from the Twilight Zone movie and Rod Serling’s Night...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Bachelorette”

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played...
by Mitch Salem
 
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Misc

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Shadow Dancer”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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