Posts Tagged ‘spotlight’
 

 

NIELSENWAR: The End of Fall

  With a few scattered exceptions, over the next couple of days the broadcast networks will shut down their regular series for breaks that will range from 2 to 12 weeks, for all intents and purposes ending the “fall&...
by Mitch Salem
 

 
 

THE SKED: Homeland & Masters of Sex Finale Ratings

  Preliminary numbers from last night’s season finale have HOMELAND setting a new series record with 2.4M total viewers for its initial airing (an additional 500K tuned in for the re-broadcast later in the evening).�...
by Mitch Salem
 

 

 

SKEDBALL: Weekend Sports TV Ratings

The ratings below are household ratings from the 56 television markets with local Nielsen meters for Saturday December 14 and Sunday December 15, 2013. The 56 markets (out of 210 total) cover about 70% of the US television popu...
by Mitch Metcalf
 

 
 

THE SKED NETWORK SCORECARD – 12/15/13

  On a night dotted with football (adjusted up below to anticipated final numbers), it didn’t pay to be the odd network out. ABC:  The fall finale of ONCE UPON A TIME didn’t go the way ABC had hoped, dropping 0.2 ...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Homeland”

  After three seasons on the air, it seems fair to say that–paraphrasing Star Wars—Homeland isn’t the show we were looking for.  That doesn’t make it a bad series, or an unentertaining one.  But i...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Masters of Sex”

  Michelle Ashford’s series MASTERS OF SEX has been the extraordinary surprise of the fall television season.  It seemed, on its face, to be dauntingly unpromising.  In telling the story of sex researchers William ...
by Mitch Salem
 

 

 

THE SKED Fall Finale Review: “Once Upon A Time”

  It seems that for many viewers, ONCE UPON A TIME has become too conceptual for its own good.  The ratings, so robust just 2 seasons ago, have continued to sink (down another full ratings point this season), and while On...
by Mitch Salem
 

 
 

THE SKED Fall Finale Review: “Revenge”

  Improved isn’t the same as good, and the first half of REVENGE‘s third season has languished in the gulf between those two.  Under new showrunner Sunil Nayar (who replaced series creator Mike Kelley), Reveng...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Witches of East End”

  In this new era of serialized television drama, plot–and the skill with which it’s doled out–is more important than ever.  An overall clumsiness with the handling of its storylines is what’s held...
by Mitch Salem
 

 
 

International Box Office through December 15

Updated worldwide box office chart for 2013 North American films.  Also, click here for a summary of worldwide performance by studio.
by Mitch Metcalf
 

 

 

Year to Date Box Office & Worldwide Studio Scorecard

Warner Brothers is back on top of Disney, thanks to the second Hobbit film.  For a complete ranking of 2013 films individually by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release fil...
by Mitch Metcalf
 

 
 

BEHIND THE WEEKEND BOX OFFICE – 12/15/13

  OPENINGS:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) had a better Saturday hold than last year’s An Unexpected Journey (-22% vs. -25%), suggesting that positive word of mouth is kicking in, and no doubt ea...
by Mitch Salem
 

 

 

Weekend Studio Estimates DECEMBER 13-15

Based on Friday’s  and Saturday’s grosses, Weekend #50 of 2013 looks like $139 million for the top 12 films from Friday-Sunday, not as strong as we had forecast and down $5 million from yesterday’s estimate b...
by Mitch Metcalf
 

 
 

THE SKED Review: “Saturday Night Live” with John Goodman

  The most inventive part of tonight’s SATURDAY NIGHT LIVE really wasn’t, because it was almost certainly unintentional.  Nevertheless, it was sort of brilliant, in a “found art” sort of way.  Soo...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOX OFFICE – 12/13/13

  Well, bah humbug. OPENINGS:  Start the spin machine:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) has opened with $31.1M, $6M below the start for last year’s An Unexpected Journey.  That’s more than ...
by Mitch Salem