Posts Tagged ‘season finale’
 

 

THE SKED SEASON FINALE REVIEW: “Suburgatory”

  It would have been nice if ABC Marketing hadn’t so broadly teased the surprise ending of tonight’s Suburgatory season finale in their promos that they more or less gave it away.  (This is why powerful produc...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: ABC’s “Private Practice”

  For a show perceived as standard medical soap, PRIVATE PRACTICE has gone through quite a few permutations in style and focus over its 5 seasons.   Conceived originally as a light-hearted spinoff to Grey’s Anat...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: CW’s “90210”

  90210 has never been CW at its best.  The semi-network specializes almost exclusively in fantasies, either of the supernatural or soapy kind (or both), and some of its shows deliver those fantasies with wit and compelli...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Smash”

  And so the curtain drops on the first season of SMASH, which may have set the all-time television speed record for going from shining beacon to punching bag.  Tonight’s season finale, written by now-deposed showru...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “How I Met Your Mother”

  In HOW I MET YOUR MOTHER, Carter Bays and Craig Thomas created an odd but appealing mix of traditional sitcom humor and conceptual originality (their upcoming FOX show The Goodwin Games looks like another unusual angle o...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Gossip Girl”

  It’s appropriate for GOSSIP GIRL, of all shows, that news about it be conveyed via online buzz.  That buzz says that the series’ upcoming 6th season will be shortened and final–and really, it’s t...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Hart of Dixie”

  CW’s good-humored not-Gilmore Girls small town romance HART OF DIXIE concluded its first season tonight with the same pleasant, likable, unthrilling touch it’s had since last fall. Hart isn’t really abo...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Bones”

  There was no way BONES could top its season finale from last year, when the show finally addressed its eternal Will They Or Won’t They? about Dr. Temperance Brennan (Emily Deschanel) and FBI Agent Seeley Booth (Dav...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  Anyone who saw the ONCE UPON A TIME pilot and thought the series would be worth watching only “if nothing else is on” would surely have to be an idiot–and in this case, that idiot was me.  I couldnR...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Fringe”

  It is, make no mistake, a wonderful thing that FOX (with the financial cooperation of studio Warner Bros) is bringing FRINGE, one of television’s most distinctive and imaginative shows, back for a 5th and final 13-...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Vampire Diaries”

   THE VAMPIRE DIARIES brought its A-game to its 3rd season finale, wrapping up (or at least advancing) some storylines while providing massive fodder for Season 4.  It should be noted that Diaries thrives on plot twists...
by Mitch Salem
 

 
 

THE SKED’S SEASON FINALE REVIEW: “The Office”

  The thing to remember, when charting the collapse of THE OFFICE, is that the producers weren’t taken by surprise.  Steve Carell made it clear early last season that he wouldn’t be returning, and the show had...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Parks & Recreation”

  If NBC’s Thursday night sitcoms were a movie about college roommates, The Office would be the one who doesn’t study or do the work but still gets better grades than anyone else, 30 Rock would be the teacher&#...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “CSI”

    This year, the original Las Vegas-set CSI, about to begin its 12th season on the air, faced not one but two crossroads.  A couple of years earlier, the show’s original star William L. Petersen had decided a...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “New Girl”

      It’s not all that unusual for a TV comedy to improve during the course of its first season, as it discovers its distinctive comic voice (that was the case with Happy Endings, and The Office as well).�...
by Mitch Salem