Posts Tagged ‘season finale’
 

 

THE SKED REVIEW: SNL With Mick Jagger

  Mick Jagger isn’t exactly known for his comedy stylings.  But the man knows a little bit about performing, and he was an extremely game host for tonight’s 37th season finale of SATURDAY NIGHT LIVE.  He didn...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  Anyone who saw the ONCE UPON A TIME pilot and thought the series would be worth watching only “if nothing else is on” would surely have to be an idiot–and in this case, that idiot was me.  I couldnR...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “White Collar”

  WHITE COLLAR lost a little of its charm this season (or half-season, depending on how you characterize USA’s bifurcated order pattern).  The should-FBI-agent-Peter Burke (Tim DeKay)-trust-former-thief-Neal Caffrey...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “Damages”

  After 5 seasons, 2 of them exclusively on DirecTV, DAMAGES and its saga of dueling attorneys Patty Hewes (Glenn Close) and Ellen Parsons (Rose Byrne) came to its close this week, mostly with a whimper.  There were no la...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Smash”

  And so the curtain drops on the first season of SMASH, which may have set the all-time television speed record for going from shining beacon to punching bag.  Tonight’s season finale, written by now-deposed showru...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Grimm”

  Although both fairy-tale inspired dramas that were introduced to network TV last fall have been renewed for 2d seasons, there’s no comparison in quality between Once Upon A Time and GRIMM.  Once has created a capt...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Billions”

  Showtime’s BILLIONS has cultivated one of the most recognizable signatures on television, from its rudely epigrammatic dialogue, to its love/hate relationship with its ruthless, narcissistic characters, to its very...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Revenge”

  A show like REVENGE is supposed to glory in its Season Finales.  It’s the one time when things can really happen:  characters can die, plotlines can resolve, shocking surprises can be introduced.  In a way a sea...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Parks & Recreation”

  If NBC’s Thursday night sitcoms were a movie about college roommates, The Office would be the one who doesn’t study or do the work but still gets better grades than anyone else, 30 Rock would be the teacher&#...
by Mitch Salem
 

 
 

THE SKED: CBS Season Finales

> As the season starts to wind down, CBS adds its season finale announcements to the chorus.  Interestingly most of the network’s shows will go into hibernation before the official final week of the season: Sunday Ap...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “The Closer”

  With the exception of those shows that don’t know they’re about to be canceled, rarely has a long-running series come to less of a conclusion than tonight’s last episode of THE CLOSER.  And with good r...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Nurse Jackie”

  It’s impossible to discuss the season finale of NURSE JACKIE–or, as it turns out, its entire fifth season–without talking about its final minute, so I’ll skip to the next paragraph to ward off any...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “Eureka”

  EUREKA, while never a breakout hit, was a sturdy performer for 5 years on Syfy–and one of the increasingly small number of shows on its air that was actually science-fiction, as opposed to superhero fantasy, horror...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Walking Dead”

> But first–a nod to the sly marketing department at AMC, which cleverly lampooned its own predicament of trying to persuade at least some of the hordes of WALKING DEAD fans to stay tuned to the network next week for a ve...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Copper”

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apa...
by Mitch Salem