Posts Tagged ‘romance’
 

 

Sundance 2023 Reviews: “Past Lives,” “Fairyland” & “Infinity Pool”

  PAST LIVES (A24):  The playwright Celine Song makes an impressive feature writing/directing debut with the lovely, eloquent Past Lives.  The film is sort of the opposite of Sliding Doors and all of the multiversal ente...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Very Good Girls”

  VERY GOOD GIRLS is set in contemporary Brooklyn, but it’s shot (by Bobby Bukowski) with the kind of gauzy glow that suggests a European perfume commercial.  It’s lovely to look at, but also mystifying and u...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Beauty and the Beast”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Rust and Bone”

‎ Jacques Audiard doesn’t do sentimental. His last film, A Prophet, had the clear-eyed view of crime and the dramatic heft of a French version of “The Wire,” and his new and very different drama RUST & B...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Homeland”

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Another Earth”

    ANOTHER EARTH – Worth A Ticket:  Tiny Story With Big Ambitions   For ANOTHER EARTH, the Sundance Film Festival went exactly the way it’s supposed to.  The low-key picture was made on a miniscule bud...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “The First Time”

  THE FIRST TIME may be too lovable for its own good.  Jonathan Kasdan’s teen romance, which premiered in the Dramatic Competition at Sundance, couldn’t be more straightforward:  in its opening minutes, it in...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Anna Karenina”

  ANNA KARENINA – Watch It At Home – Beautiful But Overconceptualized Version of the Tolstoy Classic Joe Wright was introduced to the world with his film of Pride and Prejudice, and it seems like he’s b...
by Mitch Salem
 

 

 

THE SKED MIDSEASON FINALE REVIEW: “Beauty & the Beast”

  The midseason finale of the purported romantic thriller BEAUTY & THE BEAST delivered almost all romance, no thrills, as it continues to have only a glancing relationship with its title. Plotting has been this show...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Nashville”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Fringe”

  It is, make no mistake, a wonderful thing that FOX (with the financial cooperation of studio Warner Bros) is bringing FRINGE, one of television’s most distinctive and imaginative shows, back for a 5th and final 13-...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Five-Year Engagement”

  THE FIVE-YEAR ENGAGEMENT:  Watch It At Home – If Only The Engagement Were A Little Shorter…   Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pine...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “True Blood”

  “Are you kidding me?  It’s always the weird stuff that’s the best,” Lafayette (Nelsan Ellis) said at one point during tonight’s season finale of TRUE BLOOD–he was watching the birth o...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Deception”

  DECEPTION:  Monday 10PM on NBC A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, ...
by Mitch Salem