SARAH’S KEY – Watch It At Home: Misses a Difficult Mark There may be no cinematic minefield more dangerous for filmmakers than the Holocaust. For films entering that difficult territory, the...
HUGO: Worth A Ticket – If Only For the Visual Splendors Paramount doesn’t have much choice but to market Martin Scorsese’s HUGO as a family movie: it’s got a PG rating, a young boy and ...
CONTRABAND: Worth A Ticket – Working-Class Thriller CONTRABAND is a B movie, but oddly enough, that’s one thing in short supply these days. Action movies in modern Hollywood usually c...
It was all so cute when it started… David Yates’ 2009 HARRY POTTER AND THE HALF-BLOOD PRINCE is surprisingly funny at times–surprising, because in all other ways the film was, up to that point, by far t...
Plot and character revelations are a critical part of James Marsh’s subtle, complex spy drama SHADOW DANCER, adapted by Tom Bradby from his own novel, so I’ll be circumspect in describing its plot beyond the ...
ABRAHAM LINCOLN: VAMPIRE HUNTER – Not Even For Free – An Unconstitutional Offense Against Moviegoers Honestly: how is a movie called ABRAHAM LINCOLN: VAMPIRE HUNTER not a comedy? It’s as if Wood...
ON CHESIL BEACH (no distrib): Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke. ...
THE CABIN IN THE WOODS: Watch it At Home – Clever and Culty Seeing THE CABIN IN THE WOODS is sort of like being in Fight Club: the first rule is not to talk about it. Or, at least, not to reveal any of...
IT’S A DISASTER: Worth A Ticket – And They Feel Just (More Or Less) Fine IT’S A DISASTER is the movie Seeking A Friend For the End of the World aspired, but failed, to be: a laugh-out-loud, t...
SNOW WHITE AND THE HUNTSMAN: Worth A Ticket – Not a Disneyland Ride Just to be clear, the new SNOW WHITE AND THE HUNTSMAN bears about as much resemblance to this spring’s Mirror Mirror as The Dark ...
THE WOMAN IN BLACK: Watch It At Home – Fun, But Creaky As Its Doors THE WOMAN IN BLACK is so aggressively old-fashioned it sometimes feels like the horror movie version of The Artist. A haunted ho...
PALM TREES AND POWER LINES (no distrib): Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does. 17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...