COWBOYS & ALIENS – Watch It At Home: Genre Mash-Up Zaps Itself In the Foot It’s admirable, in a way, that for much of its length, COWBOYS AND ALIENS is willing to be more of a western than a scif...
CARNAGE: Watch It At Home – Polanski and All-Star Cast Miss the Bullseye The trick about CARNAGE, which is based on the Tony Award-winning play God of Carnage by Yasmina Reza, is that despite its pedigree,...
THE LORAX: Not Even For Free – A Seussian Mess It may not be pretty, but surely it’s true–Credit must go where credit is due. In this case, that means the Universal Pictures Marketing ...
THE CHILDREN ACT (no distrib): It’s not intended as disparagement to Ian McEwan’s novel and screenplay adaptation, or to Richard Eyre’s film, that THE CHILDREN ACT feels much of the time like it could...
SNOW WHITE AND THE HUNTSMAN: Worth A Ticket – Not a Disneyland Ride Just to be clear, the new SNOW WHITE AND THE HUNTSMAN bears about as much resemblance to this spring’s Mirror Mirror as The Dark ...
COLOMBIANA – Not Even For Free: Even the Body Count Is Dull For a movie from the Luc Besson House of Action, COLOMBIANA is surprisingly listless and dispirited. Besson first came to prominence as a direc...
YOUNG ADULT: Worth A Ticket – Theron + Oswalt = The Real Thing Charlize Theron plays the hell out of her character Mavis Gary in the new YOUNG ADULT. Theron has had a curious Hollywood career, with the usual big-...
ONE FOR THE MONEY: Not Even For Free – Another Heigl Misfire Movie stars are, make no mistake, trademarks. Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of r...
THE FIVE-YEAR ENGAGEMENT: Watch It At Home – If Only The Engagement Were A Little Shorter… Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pine...