Posts Tagged ‘movie review’
 

 

THE SHOWBUZZDAILY REVIEW: “Parker”

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Crui...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Incredible Burt Wonderstone”

  THE INCREDIBLE BURT WONDERSTONE:  Not Even For Free – While You’re Watching… Poof!  It’s Gone It would have been a neat trick if Steve Carell could have pulled off as clear a Will Ferrell role a...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “R.I.P.D.”

  R.I.P.D.:  Not Even For Free – No Life After Death For This One Ryan Reynolds plays a dead man in the new R.I.P.D., and thus it makes sense that his character would be frustrated and depressed for much of its leng...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Need For Speed”

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too ofte...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “The Book Thief”

  THE BOOK THIEF:  Watch It At Home – A Nazi Germany Fairy Tale THE BOOK THIEF is about as heartwarming and easygoing as any story could be that’s narrated by Death and touched by the Holocaust.  That’s...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Jack Reacher”

  JACK REACHER:  Watch It At Home – Next on TNT:  Tom Cruise If Tom Cruise’s career ever takes him to do a TV pilot, it would be a lot like JACK REACHER.  And not a classy, sophisticated pilot for AMC or H...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Inevitable Defeat of Mister and Pete”

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going witho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “World War Z”

  WORLD WAR Z:  Watch It At Home – Third Act Heroics, In More Ways Than One The travails of WORLD WAR Z on the way to the screen have been widely discussed, and in the end the misshapen, Frankenstein-like $200M (plu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “No One Lives”

  As movie bloodbaths go, NO ONE LIVES is almost–but not quite–clever enough to be worth seeing. We start with a backwoods family of petty outlaws, headed by father Hoag (Lee Tergesen) and including his wife, b...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Croods”

  THE CROODS:  Watch It At Home – Prehistoric Sitcom’s Bland Storyline Doesn’t Evolve Hollywood already has a thriving CG-animated prehistoric franchise in the Ice Age series, but DreamWorks Animation ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem