Posts Tagged ‘movie review’
 

 

THE SHOWBUZZDAILY REVIEW: “Hansel & Gretel: Witch Hunters”

  HANSEL & GRETEL: WITCH HUNTERS:  Not At Any Price – Audiences Won’t Live Happily Ever After HANSEL & GRETEL: WITCH HUNTERS is mostly terrible, but say this for it:  it’s not terrible like anyt...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Oz the Great and Powerful”

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and cramme...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Turbo”

  TURBO:  Watch It At Home – Nothing Supercharged About the Script If the new DreamWorks Animation release TURBO proves anything, it’s that even for the competition, there’s a special mystique about the ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “That Awkward Moment”

  THAT AWKWARD MOMENT:  Watch It At Home – Low-Impact Rom-Com If you heard that a new indie movie featured the stars of the past 2 years’ back-to-back Sundance sensations, Michael B. Jordan from 2013’s F...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Alex Cross”

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but the...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Toy’s House”

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY MOVIE REVIEW: “Pain and Gain”

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, ho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Captain Phillips”

  CAPTAIN PHILLIPS:  Order Tickets Now – Exceptionally Taut, Intelligent Real-Life Thriller Paul Greenglass is a master of capturing pulse-pounding immediacy on film, and for most directors that would be enough.  H...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Blackhat”

  BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking t...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Christopher Nolan’s “The Dark Knight”

  If THE DARK KNIGHT had no superhero or comic book trappings–if The Joker were scarred but not hideously made up, and Batman were a bit lower-tech and merely disguised rather than wearing a cowl and cape–Chris...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Zero Dark Thirty”

  ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic. ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Touchy Feely”

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Man of Steel”

  MAN OF STEEL:  Watch It At Home – Another Guy In a Cape “Kneel before Zod!” the villain of that name roared in what’s probably the best-remembered piece of dialogue from Superman 2.  That line ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem