Posts Tagged ‘Comedy’
 

 

THE SHOWBUZZDAILY REVIEW: “Magic Mike”

  MAGIC MIKE:  Worth A Ticket – Soderbergh Again Earns His Crumpled Dollars   Although he hasn’t appeared in any of the year’s giant action blockbusters (GI Joe 2, probably not that giant anyway, w...
by Mitch Salem
 

 
 

THE SKED REVIEW: SNL with Daniel Craig

  The heart sank when 15 minutes into tonight’s SATURDAY NIGHT LIVE–the part of the show that’s still supposed to be funny–the first post-monologue sketch was a labored, silly bit that went nowhere ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Glee”

  Which plotline really grabbed you in Season 4 of GLEE?  Was it Rachel’s (Lea Michele) one-episode pregnancy scare?  Her involvement (unwitting) with a male escort?  Was it the weeks of sullen silence between Mr....
by Mitch Salem
 

 
 

THE SKED PILOT REPORT: CBS’s “How To Be A Gentleman” – PREMIERING TONIGHT

>   Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these criti...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Girls”

Lena Dunham’s GIRLS has been all over the place this season, so it made sense that its season finale would come out of nowhere.   We knew last week that when Jessa (Jemima Kirke) got a talking-to from former employer Ka...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Wilfred”

WILFRED – Thursday 10PM on FX   WHERE WE WERE:  Ryan (Elijah Wood) is a burnt-out young lawyer who’s quit his job and is in such a state of depression that he attempts suicide.  One day an attractive new neig...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Frankenweenie”

  FRANKENWEENIE:  Watch It At Home – Tim Burton Tries To Bring His Old Creation Back to Life Tim Burton certainly can’t have planned it this way, but his new stop-motion feature version of FRANKENWEENIE serves...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Nurse Jackie”

After 3 seasons of telling more or less the same story, Season 4 of Showtime’s NURSE JACKIE took a leap that revitalized the show.  Jackie Peyton (Edie Falco), having successfully concealed her drug addiction, her adulte...
by Mitch Salem
 

 

 

THE SKED: Emmy Odds – Theirs and Ours: Comedy

> With the help of some online bookmaking sites, we have the latest “official” odds for tonight’s Emmy Awards.  Let’s take a look about what they say about the conventional wisdom, and make some adj...
by Mitch Salem
 

 
 

THE SKED PILOT REPORT: NBC’s “Are You There, Vodka? It’s Me, Chelsea”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Bunheads”

  It helps if you think of BUNHEADS as a CG special effects spectacle, except in this case the CG special effects and spectacle are all in the sound of Amy Sherman-Palladino’s dialogue.  Either you love herrapid-f...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem
 

 

 

THE SKED PREMIERE REVIEW: “The Finder”

> THE FINDER – Thursdays 9PM on FOX – If Nothing Else Is On… THE FINDER has already had a pilot of sorts, which aired last season as an episode of BONES.  While the series is based on the character Walter...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Partners”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Whit Stillman’s “Damsels In Distress”

> Whit Stillman has one of the most distinctive voices in American film, and his 13-year absence from the screen barely shows in his new comedy DAMSELS IN DISTRESS; it feels as though, had it been made immediately after The Las...
by Mitch Salem