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Year to Date Box Office & Worldwide Studio Scorecard 1.17.2016

WORLDWIDE STUDIO SCORECARD.  We will continue tracking 2015 for several more weeks as the holiday films finish their runs.  We will begin tracking 2016 in a few weeks.   YEAR TO DATE BOX OFFICE. Looking at North American...
by Mitch Metcalf
 
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Weekend Studio Estimates 7.17-19.2015

Based on Friday’s and Saturday’s grosses, weekend #29 of 2015 looks like $185 million for the top 12 films Friday-Sunday, a touch above the norm for this weekend and way above last year’s weak weekend. Open...
by Mitch Metcalf
 
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FRIDAY JUNE 6 Box Office Report

Based on Friday’s grosses, weekend #23 of 2014 looks like $165 million for the top 12 films Friday-Sunday, 10% above the norm for this weekend and 15% above the same weekend last year.   Opening at 3,173 theaters, The F...
by Mitch Metcalf
 
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FRIDAY MAY 30 Box Office Report

Based on Friday’s grosses, weekend #22 of 2014 looks like $159 million for the top 12 films Friday-Sunday, 16% above the norm for this weekend but -1% from last year.   Opening at 3,948 theaters, Maleficent from Disne...
by Mitch Metcalf
 
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Weekend Box Office Predictions 9.4-6.2015

Weekend #36 of 2015 is looking like $54 million for the top 12 films this weekend, a touch better than last year but still below the norm for this weekend, normally the slowest of the year (see comparisons below). The Transpo...
by Mitch Metcalf
 
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Year to Date Box Office & Worldwide Studio Scorecard 9.18.2016

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio. Warner Brothers moved into second place, pushing Fox into third place.  This is the first change in the studio rankings in weeks, thanks mostly to continued oversea...
by Mitch Metcalf
 
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Weekend Box Office Predictions JAN 31-FEB 2

Weekend #5 of 2014 is looking like $74 million for the top 12 films, a significant 17% below the average for this challenging weekend the past few years.  Super Bowl weekend is always a tough one, with the distraction of the ...
by Mitch Metcalf
 
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FRIDAY MARCH 1 BOX OFFICE REPORT — A Terrible 2013 Continues

Based on Friday’s grosses, Weekend #9 of 2013 is another clunker: only $87 million for the top 12 films Friday-Sunday (down around 40% from the same weekend the last few years).  Jack the Giant Slayer opened reasonably w...
by Mitch Metcalf
 
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Behind the US/Worldwide Weekend Box Office – 2.26.2023

  OPENINGS:  The surprise isn’t so much that COCAINE BEAR (Universal) “overdelivered,” but that expectations were so low for a picture that had been the subject of pop culture fascination for months.  T...
by Mitch Salem
 
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Weekend Box Office Predictions MARCH 28-30

Weekend #13 of 2014 is looking like $122 million for the top 12 films, 14% below the typical volume for this weekend the past few years. Opening at around 3,400 theaters Friday (well above the 2,886 average theater count for op...
by Mitch Metcalf
 
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INTERNATIONAL BOX OFFICE through February 10

Django Unchained continues to gain on Les Miserables (also released Christmas Day).  Quentin Tarantino’s Django collected $29 million overseas since last week, compared to $17 million for Les Miserables.  With a p...
by Mitch Metcalf
 
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FULL WEEK BOX OFFICE ACTUALS and YEAR TO DATE May 14-20

Now 20 full weeks into 2012, year-to-date domestic box office is running 19% ahead of last year’s pace and 15% ahead of the comparable period’s average for the last several years.   Marvel’s The Avenger...
by Mitch Metcalf
 
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International Box Office through July 28

International box office chart:
by Mitch Metcalf
 
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Weekend Box Office Predictions JULY 25-27

Weekend #30 of 2014 is looking like $128 million for the top 12 films this weekend, -13% below the norm for this weekend.  Not a disaster like the previous three weekends (-27% to -34%), but the sixth down weekend in a row.  ...
by Mitch Metcalf
 
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BEHIND THE FRIDAY BOX OFFICE – 11/1/13

  OPENINGS:  Stop me if you’ve heard this before:  an expensive action-adventure will need to overperform internationally in order to get past its red ink.  With Thor 2 opening in just a week, ENDER’S GAME (...
by Mitch Salem
 
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