DA VINCI’S DEMONS:  Friday 9PM on Starz A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, […]

  Every so often, a show comes along that makes you want to run up to random people in the street and yell “Why aren’t you watching this?”  right in their uncomprehending faces.  ORPHAN BLACK probably wasn’t–OK, wasn’t–the season’s best new show; The Americans, for one, was more layered and expertly crafted.  But Orphan, airing in […]

  When a show that’s clearly been losing its way creatively suffers in the ratings, like Revenge, it’s understandable.  But ONCE UPON A TIME has run out of steam this season much faster than ABC likely anticipated.  Late last season, Once was regularly getting a 3 rating in 18-49s, but this season’s average dipped to a […]

  GUYS WITH KIDS: Wednesday 8:30PM starting September 26 on NBC (“sneak peek” Sept 12 after “America’s Got Talent” season finale) – Change the Channel Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and re-scored, and in some cases even recast […]

  THE SITTER:  Not At Any Price – Adventures In Bad Moviemaking   Jonah Hill is awfully lucky to have made Moneyball this year.  In that film, fueled by a brilliant Aaron Sorkin/Steven Zaillain script, he gave a marvelous performance as half of the year’s most unlikely comedy team with Brad Pitt, but since then […]

> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the first Friday the 13th had opened more than 16 years before.  The conventions of the form were as well-worn […]

  ON THE COUNT OF THREE:  There was a well-deserved Sundance screenwriting prize for Ari Katcher and Ryan Welch’s script for Jerrod Carmichael’s big-screen directing debut, which threads an almost impossible needle as a comedy about suicidal depression.  (In an unintentional way, the film is a companion piece to the festival’s How It Ends, also […]

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]