PALM TREES AND POWER LINES (no distrib):  Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does.  17-year old Lea (Lily McInerny) is stuck in a dead-end Southern California beach town at the end of summer with a distracted single mom (Gretchen Mol) and friends whose […]

> THE LUCKY ONE:  Watch It At Home – Not If The One Is In The Audience Zac Efron has been working out, and he wants you to know it.  Efron’s new biceps and abs are on frequent display in THE LUCKY ONE, often shiny with sweat and otherwise photographed by director Scott Hicks and […]

  BROS (Universal – Sept. 30):  Notwithstanding its occasional meta self-deprecation, it’s clear that Nicholas Stoller and Billy Eichner (both writer/producers and respectively director and star) want Bros to be Hollywood’s first mainstream big-screen gay rom-com hit.  It’s fitting in a way, then, that like so many straight rom-coms before it, Bros suffers from third […]

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debut” to express how good it is–if Benson hadn’t bitten off a bit more than he could chew, this would have been one (or […]

  A week at the Toronto Film Festival added up to 24 screenings–a decent pace, but not an outstanding one.  Blame some vagaries of the festival’s scheduling, and a baseline decision that Midnight Madness was too much midnight and maybe even too much madness.  The potential awards contenders I wasn’t able to get to included […]

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apatow’s Macbeth?  Woody Allen’s Lord of the Rings?  Michael Bay’s Remembrance of Things Past?  Jean-Luc Godard’s Shrek?  (Although […]

  TURBO:  Watch It At Home – Nothing Supercharged About the Script If the new DreamWorks Animation release TURBO proves anything, it’s that even for the competition, there’s a special mystique about the films of Pixar.  (Until recently, anyway.)  Turbo painstakingly combines Ratatouille with the original Cars like the killer on The Bridge attaching American […]

> Watch it At Home;  Something Acceptable. As romantic comedies with Kate Hudson go, SOMETHING BORROWED isn’t so bad.  After her spectacular debut in Almost Famous, Hudson’s become something of a brand name for dreadful rom-coms that nevertheless make money (How To Lose A Guy In 10 Days, You, Me & Dupree, Fool’s Gold, My […]