DREDD, which kicked off the merrily disreputable Midnight Madness program at the Toronto Film Festival last night, isn’t much, but no one can say the director Pete Travis wasted his 3D budget. Things are constantly hovering, fluttering or–often–splattering in the foreground of the frame, and the images do a better job of suggesting visual depth […]
WIDOWS (20th – Nov. 16): Widows is a genre movie that isn’t sure it wants to be one. That’s not a shock, because the idea of the aesthete director Steve McQueen, of Hunger, Shame and 12 Years A Slave renown, toiling in the land of Ocean’s 8 seemed odd from the start. And for […]
Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork: Check. Small-town dysfunctional family (alcoholic/grief-stricken division): Check. Third act sparked by violence: Check. Rebellious yet sensitive and misunderstood young protagonist: Check. Commercially successful […]
Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark. Whiplash won both the Grand Jury and the Audience prizes at this year’s Sundance Film Festival (only the 5th time that’s happened), and for all intents […]
22 JULY (Netflix – October 10): So many terrible things have happened in the world since July 22, 2011 that at least in the US, few even remember the horrific events that occurred in Oslo, Norway that day, when a single right-wing fanatic named Andres Behring Breivik gunned down 69 people, most of them […]
> Although Fox Searchlight didn’t actually acquire Steve McQueen’s film Shame until last Saturday, in a sense the marketing campaign for the film began when the producers made it clear that the film would not be edited for US release, and would be distributed with an NC-17 rating. This quickly became the most memorable fact […]
Steve McQueen (the filmmaker) doesn’t take it easy on audiences. His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it with Shame, a cooly unsexy portrait of the ravages of sexual addiction. His new film 12 YEARS A SLAVE is […]
As a movie year, 2013 was awfully slow in getting started. Hardly anything worth remembering opened all winter and spring–only 1 movie in the Top 10 below opened in theatres before late May. Summer brought some relief, and then the film festival season that began at the end of August opened the doors wide […]