> The Toronto Film Festival has announced its second helping of titles for next month’s worldwide gathering of film professionals and fanatics.  These may be less star-studded than the last group of films announced, but there are still quite a few intriguing titles.  As part of our continuing coverage of the movie awards season that, […]

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the start of the decade, and that doesn’t include his shorts and contributions to compilations like V/H/S, to say nothing of the projects […]

  THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available in the existing footage.  A documentary can show what happened, but not necessarily why it happened.  That makes The Eyes of […]

  MOLLY’S GAME (STX):  Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work.  His first venture as writer/director MOLLY’S GAME is completely assured, not fancy with its visuals but not timid, either.  By […]

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets without thinking about Scott Z Burns’s The Report.  Both are stories of whistleblowers and cover-ups involving the lead-up to the war in Iraq, […]

  NEBRASKA:  Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelous script by first-time feature writer Bob Nelson.  Among its other virtues, it manages to feature within its 114 minutes […]

  The prevailing atmosphere in Denis Villenueve’s PRISONERS will be familiar to anyone who’s been watching cable TV drama for the past few years.  Gloom, grief, hopelessness, helpless rage–it’s home turf for shows like The Killing, The Bridge, Low Winter Sun, Broadchurch and their brethren.  (The rural Pennsylvania setting of Prisoners has even borrowed the endless raininess of The Killing‘s Seattle.) […]

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]