THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (who would probably prefer a more over-the-top, diva-like experience, not to mention some singing) or those of Seth […]

  TO THE WONDER:  Malick Twirls and Twirls and Doesn’t Get Anywhere Terrence Malick’s last film The Tree of Life was nominated for the Academy Award for Best Picture; his new TO THE WONDER is receiving only a token theatrical release, with the bulk of its distribution through video-on-demand.  That’s a sign of the times, […]

  It’s not really a surprise to see Alfonso Cuaron join James Cameron, Martin Scorsese and Ridley Scott in that small group of film artists who have made 3D part of the essential toolbox of their imagery (no, Baz Luhrmann and Guillermo del Toro don’t make the list, although Michael Bay might).  Cuaron is a […]

  THE MONUMENTS MEN:  Watch It At Home – George Clooney’s Film Is No Classic Work of Art George Clooney’s THE MONUMENTS MEN is a startlingly complete failure.  It’s Clooney’s fifth film behind the camera (after Confessions of a Dangerous Mind, Good Night, and Good Luck., Leatherheads, and The Ides of March), but it’s the […]

  THE HUNGER GAMES: MOCKINGJAY PART I:  Worth A Ticket – Half a Good Movie Is Still Half a Movie As big-screen and small-screen entertainment experiences have begun to merge, there’s been an increase in serialized franchise storytelling–super-expensive mega-movies turned into regularly scheduled series.  Sequels, of course, have always been with us, but through the […]

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]

  THE FIVE-YEAR ENGAGEMENT:  Watch It At Home – If Only The Engagement Were A Little Shorter…   Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pineapple Express, TV’s new Girls) has brought a tremendous amount of first-class comedy to large and small screens in recent years.  But […]

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball scout instead of a boxing trainer) dealing with a feisty, stubborn young woman (Amy Adams as […]