Author Archive
 

 

THE BIJOU: Boxoffice Footnotes – 8/6/11

> RISE OF THE PLANET OF THE APES has a slew of positives going for it commercially:  the reportedly fairly low $93M production cost, the month of August ahead with its limited competition, strong support from an older audi...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Rise of the Guardians”

  RISE OF THE GUARDIANS:  Worth a Ticket – “The Avengers” as Holiday Fantasy RISE OF THE GUARDIANS doesn’t entirely look or feel like what we’ve come to expect from DreamWorks Animation.  Un...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “The Walking Dead”

  THE WALKING DEAD is in danger of becoming TV’s version of The Phantom Menace: a gigantic hit that no one really likes.  The ratings, while still massive, were significantly down in Season 7, which premiered with t...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Sausage Party” Feasts, “Suicide Squad” Dives, “Pete’s Dragon” OK

  After a summer of fizzled franchise movies, audiences were–pardon the expression–hungry for something new, and the unquestionably unique, hard-R existential talking food cartoon SAUSAGE PARTY (Annapurna/Colum...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “The Blacklist”

  THE BLACKLIST was a hit before it was much of a show, and it’s still decidedly uneven.  That was underscored again by tonight’s season finale, which killed off–well, apparently; you never know with thi...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Jurassic World: Fallen Kingdom” Big But Down, “Incredibles 2″” Drops, “Neighbor” Expands

  JURASSIC WORLD: FALLEN KINGDOM (Legendary/Perfect World/Universal) finally arrived in the US with a $58.4M opening day ($15.3M from Thursday night), according to preliminary numbers at Deadline.  If Fallen Kingdom follo...
by Mitch Salem
 

 

 

SHOWBUZZDAILY’s Studio Summer Movie Guide: 20th Century Fox

  We’re just about 24 hours away from the US arrival of The Amazing Spider-Man 2 and the kick-off of the summer movie season, and in our survey of each studio’s schedule and prospects, we’ve already taken...
by Mitch Salem
 

 
 

SHOWBUZZDAILY OSCARS 2013 LIVE BLOG

  Welcome to SHOWBUZZDAILY‘s Academy Awards live blog.  Let’s take a moment to consider the world if America’s two great spectacles–the Super Bowl and the Oscars–swapped pre-event broadcasts....
by Mitch Salem
 

 

 

SHOWBUZZDAILY’s Top 150 Friday Cable Originals & Network Finals: 9.13.2019

        NETWORK FINALS:  The BLUE BLOODS rerun gained 0.1 in final numbers.         Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  ESPN’s COLLEGE ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDAY NETWORK SCORECARD – 9.24.2017

  STAR TREK:  DISCOVERY wasn’t a planet-changer. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 rati...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 4.1.2018

  OPENINGS:  READY PLAYER ONE (Village Roadshow/Warners) had a fair if unthrilling start, with $41.2M over the 3-day Good Friday/Easter weekend plus $12M on its Thursday opening day for a $53.2M 4-day total, considerably ...
by Mitch Salem
 

 
 

THE SKED: Welcome To “Prime Suspect” Week On NBC

> PRIME SUSPECT had an awful 1.3 rating in 18-49s last week, despite NBC’s having given it a vote of confidence with an order for 6 additional scripts, which would allow for continuous production should the show receive a...
by Mitch Salem
 

 

 
 
 
 
 
 

THE SHOWBUZZDAILY REVIEW: “Act of Valor”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0

 
 

SHOWBUZZDAILY’s Monday 2.7.2022 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  THE BACHELOR fell 0.12 to 0.66, and PROMISED LAND was down 0.04 to 0.18. CBS:  BIG BROTHER: CELEBRITY EDITION was at 0.42, down 0.05 from Sunday.  It was sandwiched between reruns at 0.48/0.36 a...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “In Plain Sight”

Although IN PLAIN SIGHT was never one of USA’s breakout hits or signature shows like Monk or Burn Notice, it gave the network 5 sturdy seasons, holding down slots on 3 different nights in the course of its run, and tonigh...
by Mitch Salem