OPENINGS:  BLACK ADAM (DC/New Line/Warners) arrived within moderate expectations at $67M.  That’s the highest weekend we’ve seen since Thor: Love & Thunder in July, but as a superhero epic with a $300M+ production/marketing budget, it’s far below Love & Thunder ($144.2M), Doctor Strange In the Multiverse of Madness ($187.4M), and DC’s The Batman ($134M).  […]

  OPENINGS:  US (Blumhouse/Perfect World/Universal) slipped 12% on Saturday, and while that doesn’t compare to Get Out‘s amazing 17% increase on its 2nd day of release, it’s in the range of the 11% drop for It, and better than the 18% for both The Conjuring and the 2018 Halloween.  That pushed Us to a $70.3M […]

  OPENINGS:  THE LAST VOYAGE OF THE DEMETER (Universal) stirred little interest from critics or audiences, and set sail with a flat $6.5M.  It hasn’t yet opened overseas, but will have a difficult time trying to recoup $100M or so in production/marketing costs. The tiny JULES (Bleecker Street) launched for some reason at 780 theaters, […]

  OPENINGS:  MIDWAY (AGC/Bona/Lionsgate) was mildly ahead of expectations with $17.5M in the US, and it should perform well on Veterans Day Monday.  However, with around $150M in production and worldwide marketing costs, a $60M US total would leave it with a steep uphill climb to reach profitability.  Early overseas results weren’t particularly promising at […]

  OPENINGS:  For a Wednesday opening, TRANSFORMERS: THE LAST KNIGHT (Huahua/Paramount) had a fairly good 27% Saturday bump in the US (by comparison, 2011’s Dark of the Moon went up just 5% on its parallel day), which pushed the weekend estimate a bit to $45.3M, giving the film $69.1M over 5 days.  That’s still far […]

  OPENINGS:  There’s no way to spin the $10.5M US opening of  Steven Spielberg’s WEST SIDE STORY (20th/Disney), and its even worse $4.4M start in 37 overseas territories (with $2.8M of that from France and the UK), as anything but flat-out bad.  Unlike other 2021 musicals like In the Heights ($11.5M opening even with a […]

  OPENINGS:  THE INTRUDER (Screen Gems/Sony) performed on target with $11M, and given the massive competition and the fates of the weekend’s other arrivals, that counted as a win.  It still wasn’t anything to get excited about, considering that similar Screen Gems releases like When The Bough Breaks ($14.2M), No Good Deed ($24.3M) and The […]

  OPENINGS:  The $9M start for THE MENU (Searchlight/Disney) was below the $10.1M launch of Barbarian–and The Menu cost about $20M more to produce.  Combine that with the fact that The Menu is really more of a very dark satire than a horror movie, and its prospects look questionable.  The film also opened in 36 […]