OPENINGS:  OCEAN’S EIGHT (Village Roadshow/Warners) had a $41.5M weekend, the highest of the Ocean’s movies by a bit (not adjusting for inflation).  The only point of concern is that it’s the first Ocean’s movie to drop on Saturday (by 4%, where the others had risen 6-17%), although that may only reflect the fact that […]

: Because Christmas Day falls on a Sunday, box office figures are incomplete this morning.  As is usually the case with Christmas Eve, business was down across the board yesterday, and if we look to 2011 as a guide, the Sunday bumps today may range from 40-60% for family movies like Sing and Moana, to […]

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar.  The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]

  OPENINGS:  We won’t really know the order of the weekend’s closely-bunched Top 3 movies until final numbers are released tomorrow, but since the default position of any studio with a new opening is to claim victory, the fact that AMERICAN MADE (Cross Creek/Universal) is currently in 2nd place with $17M can’t be a good […]

Based on Friday’s and Saturday’s grosses, weekend #22 of 2014 now looks like $161 million for the top 12 films Friday-Sunday, 18% above the norm for this weekend now matching the same weekend last year.   Opening at 3,948 theaters, Maleficent from Disney grossed $24.2 million late Thursday/Friday and $25.6 million Saturday, now putting the film on track […]

  OPENINGS:  LYLE LYLE CROCODILE (Columbia/Sony) arrived below expectations at $11.5M (it might reach $13.4M with the Monday holiday), unable to take advantage of the 11-week gap since the last major family movie opened.  It has more than a month until Strange World claims that audience, but even with strong holds, it still may not […]

  OPENINGS:  Jordan Peele’s NOPE (Universal) premiered on the lower end of expectations at $44M.  That’s a significant number for a project that isn’t based on preexisting IP, but down 38% from Peele’s US, and Nope reportedly cost about $40-50M more than US to produce.  Add the fact that Peele’s films haven’t performed particularly well […]

>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in slightly stronger than the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for the top 12 films is now looking like a decent $123 million for the weekend, up 4% from last year’s […]