OPENINGS:  GET OUT (QC/Blumhouse/Universal) had a remarkable Saturday performance for a horror movie, rising 17% in a genre that usually drops sharply on its 2d day of release.  That’s better than the 13% bump for Day 2 of Split, and also better than the 14% increase for Insidious, one of the leggiest of recent horror […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +8% above last year and now +4% above the average for this point the past four years ($5.828 billion).  Over the same period, Hollywood films have grossed $15.7 billion worldwide when we add overseas box office […]

  OPENINGS:  With a $27.4M start, 2 GUNS (Universal) is probably headed for $85M in the US, a fair if unexciting return for a movie that claims to have (post-tax credits) a $61M production budget.  With Universal taking its marketing expenses and distribution fees off the top, there won’t be much profit for financiers Emmett-Furia […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now -1% below last year and now +1% above the average for this point the past four years ($5.137 billion).  Over the same period, Hollywood films have grossed almost $13.5 billion worldwide […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 films by studio.  We will begin tracking the 2017 very soon.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +2% above last year and now +9% above the average for this point the past four years ($1.080 billion).  Over the same […]

  OPENINGS:  RAYA AND THE LAST DRAGON (Disney, also on Disney+) launched with $8.6M in theatres, and while it also earned (undisclosed) income from super-premium VOD through Disney+, that number was notably lower than last week’s $14.1M for Tom & Jerry, which premiered simultaneously on HBO Max.  Raya was supposed to benefit from the reopening […]

  OPENINGS:  There were no new wide openings on this pre-holiday season weekend in the US, but things were busier overseas.  AQUAMAN (DC/Warners), which won’t arrive in the US until December 21, launched in China with a huge $93.6M, the best start for any Warner Bros film in that country, and almost as much as […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]