OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becomes more difficult to justify a greenlight for him at that level.  Pixels is reporting a very mild $24M weekend in the US (that number assumes […]

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest that the overall multiple from opening weekend may not reach the heady heights that Pixar is used […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -6% below last year’s comparable span and now +1% above this point the past four years ($6.232 billion).  Over the same period, Hollywood films have grossed over $16.6 billion […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +12% above last year and now +21% above the average for this point the past four years ($2.460 billion).  Over the same period, Hollywood films have grossed […]

  OPENINGS:  Once it became clear that the predicted $40M wasn’t going to happen, CLOUDY WITH A CHANCE OF MEATBALLS 2 (Sony) badly wanted to claim a $35M opening, and so it did.  Actually hitting that number will require the 2d lowest Sunday drop in the Top 10 (behind only the phenomenal Instructions Not Included, one […]

  AMERICAN SNIPER (Village Roadshow/Warners):  Depending on how one characterizes Titanic, American Sniper is on track to become the #3 or #4 “serious drama” of all time, behind that film, The Passion of the Christ ($370.8M) and Forrest Gump ($330.3M).  Even if this weekend’s studio estimate of $64.4M turns out to have been tinkered with […]

  OPENINGS:  Every time a Christian movie sells some tickets, the pundits treat it as though they’ve seen… well, a miracle.  But at this point there have been plenty of these “miracles,” and people should just accept that the films fill a sizable niche.  (And that because of their narrow-yet-intense audience, they’re nearly always underestimated […]

  OPENINGS:  42 (Warners) had no trouble taking the weekend with an estimated $27.3M.  With very limited overseas appeal, the picture isn’t likely to be a huge moneymaker (production and marketing costs will reach at least $100M worldwide, and it probably won’t make that much in US theatres alone), but even a small amount of […]