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Behind the US/Worldwide Weekend Box Office – 10/9/16

Posted October 9, 2016 by Mitch Salem

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar.  The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]

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EARLY FRIDAY BOX OFFICE: “Pirates,” “Baywatch” Drown On Memorial Day Weekend

Posted May 27, 2017 by Mitch Salem

  It’s beginning to look like a long, dark summer for Hollywood, which is adding two more box office disappointments to a growing list over this Memorial Day weekend.  PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (Disney) had a $23M Friday (including $5.3M from Thursday night) according to preliminary numbers at Deadline, and […]

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Behind the US/Worldwide Weekend Box Office – 10.14.2018

Posted October 14, 2018 by Mitch Salem

  OPENINGS:  FIRST MAN (Perfect World/Universal) had an underwhelming $16.5M start, and considering its older-skewing audience, its 10% Saturday bump wasn’t impressive either.  It carries $150M+ in production/marketing costs, and a $50M US total would leave it at risk for red ink, since its very American story (flag controversy notwithstanding) makes foreign appeal questionable.  It […]

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Behind the US/Worldwide Weekend Box Office – 3.3.2019

Posted March 3, 2019 by Mitch Salem

  OPENINGS:  A MADEA FAMILY FUNERAL (Lionsgate) launched at $27.1M, and with the exception of the outliers Madea Goes To Jail ($41M) and A Madea Christmas ($16M), that puts it in the standard $21-30M range of the franchise.  It should be headed for $65M in the US, and that’s the only number that counts, since […]

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EARLY FRIDAY BOX OFFICE: “Hollywood” Solid, “Lion King” Stays On Top

Posted July 27, 2019 by Mitch Salem

  ONCE UPON A TIME… IN HOLLYWOOD (Columbia/Sony), the summer’s great adult-oriented, non-franchise, auteur/movie star hope, had a solid start per preliminary numbers at Deadline with a $16.7M opening day (including $5.8M from Thursday night).  That’s the biggest opening of Quentin Tarantino’s career, higher than the $14.4M for Inglourious Basterds and the $15M for Django […]

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US/Worldwide Weekend Box Office Report – 4.25.2021

Posted April 25, 2021 by Mitch Salem

  OPENINGS:  The theatrical box office continued to pick itself up off the floor this weekend with two high-performing R-rated action movies, which thrived despite an overlapping target audience and the availability of one on a streaming service.  MORTAL KOMBAT (Warners, also on HBO Max) emerged the victor with $22.5M for the weekend, and could […]

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Behind the US/Worldwide Weekend Box Office – 5.8.2022

Posted May 8, 2022 by Mitch Salem

  OPENINGS:  After an interruption for The Batman, the MCU resumed its place at the top of popular culture with the arrival of DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (Marvel/Disney), which launched within the industry’s very high expectations at $185M in the US.  That’s roughly the same as Avengers: Age of Ultron ($191.3M), and […]

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Behind the US/Worldwide Weekend Box Office – 2.12.2023

Posted February 12, 2023 by Mitch Salem

  OPENINGS:  MAGIC MIKE’S LAST DANCE (Warners) was produced as an HBO Max original, and then the new Warners ownership decided to give it a mid-level theatrical release in 1500 theaters.  The result was an $8.2M weekend, considerably below the $12.9M launch of Magic Mike XXL in 2015 (at 3355 theaters).  XXL had a leggy […]

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