Last year’s Thanksgiving weekend was the biggest ever, thanks to the combo of Catching Fire and Frozen, and while plenty of tickets were sold over the past few days, this year didn’t come close. OPENINGS:  THE PENGUINS OF MADAGASCAR (DreamWorks Animation/20th) was yet another piece of disappointing product for DreamWorks, which really needed to […]

> The updated worldwide grosses rankings show that Rango (Paramount) has slightly expanded its lead (with more room to grow) and that Battle: Los Angeles (Sony) is poised to challenge The Green Hornet (also Sony) for #2.   Hop (Disney) enters the chart in the top 10, at #8, with some serious upside in the coming weeks.  It will probably […]

  OPENINGS:  If a movie like THE BUTLER (Weinstein) can make back most of its production cost in a single weekend (and The Help did the same 2 years ago), why aren’t there more movies like The Butler?  The answer is the other side of the coin of “Why are there so many action-fantasy adventure […]

  OPENINGS:  BAD GRANDPA (Paramount) romped to 1st place at the multiplexes this weekend with $32M, but perhaps more notably, it also made $8.4M in just 16 overseas territories.  That’s the same level as Jackass 3D, which ended up making $54M internationally, a tremendous success for such a low-budget franchise.  Bad Grandpa 2 seems all […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -6% below last year’s comparable span (two points better than last week) and now basically even with this point the past four years ($5.987 billion).  Over the same period, […]

  OPENINGS:  Word of mouth kicked in on Saturday for CAPTAIN AMERICA: CIVIL WAR (Marvel/Disney), which fell a mild 19% from opening day, much better than the 38% drop for Batman v Superman and the 33% for The Avengers: Age Of Ultron (although not quite as good as the 10% for Iron Man 3, 14% for The Avengers […]

  OPENINGS:  The entertainment business revolves these days around IP, but not all franchises are created equal, and there turned out to be a thunderous lack of interest in TERMINATOR: DARK FATE (Skydance/Tencent/20th/Disney/Paramount), which opened to just $29M in the US against production/marketing costs of $300M+.  A big-budget action epic in that predicament normally hopes […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -19% below last year’s comparable span (2 points better than last week) and now -14% below the average for this point the past four years ($2.114 billion).  Over the same […]