WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio, including early 2018 dollars for films released later in 2017. We will start tracking the 2018 studio slates in a few weeks. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +10% above last […]
OPENINGS: THE MORTAL INSTRUMENTS: CITY OF BONES (Screen Gems/Sony) won the weekend’s battle (among newcomers) but isn’t likely to win the war, with a very blah $3K average at over 3000 theatres for a $9.3M weekend ($14.1M since its Wednesday opening). The big question is whether Constantin Film, the German studio that financed the […]
WORLDWIDE STUDIO SCORECARD. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +5% above last year and +8% above the average for this point the past four years ($2.174 billion). Over the same period, Hollywood films have grossed almost $6.4 billion worldwide when we add overseas box office […]
OPENINGS: DEAR EVAN HANSEN (Universal) clunked badly with a $7.5M debut, following on the heels of the underperforming In the Heights and underlining that while musicals can score at the box office, they remain a risky genre. Even with a relatively low production cost and limited marketing, it’s hard to see any path to […]
WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio, with Fox continuing to the lap the field. We have amended the summary categories somewhat this year with the top category now reserved for films over $500 million worldwide and the lower category for films under $150 million worldwide. YEAR TO DATE BOX OFFICE. Looking at […]
>The Worldwide Box Office revenue chart has been expanded to the Top 30 releases this week (currently the cut-off to make the list is about $150 million worldwide). Through Sunday, The Smurfs have moved up to #8 and is closing in on $500 million worldwide ($144 million domestic and an incredible $345 million overseas). Rise […]
OPENINGS: PARANORMAL ACTIVITY: THE MARKED ONES (Paramount), with its $18.2M weekend, made less at 2867 theatres than the first Paranormal made at 760, a little more than 4 years ago. It was also well below the $29M weekend for the last Paranormal installment in 2012 (which had been the franchise low). In other words, […]
OPENINGS: The MCU-adjacent MORBIUS (Marvel/Columbia/Sony) was unable to pull off Venom‘s feat of opening big despite lousy reviews. Its $39.1M weekend was less than half of Venom‘s $80.3M, and negative word of mouth was evident in the 24% Friday-to-Saturday drop. It’s never a good sign when the best spin a studio can put on […]