By superhero movie standards, SHAZAM (DC/New Line/Warners) was moderately priced, with around $225M in production/marketing costs. Preliminary numbers at Deadline put its opening day at $20M (including $5.9M from Thursday), and although that’s a cut below comic book blockbusters like Captain Marvel ($61.7M), Spider-Man: Homecoming ($50.8M) or Wonder Woman ($38.2M), it’s solidly in line with […]
ANCHORMAN 2: THE LEGEND CONTINUES (Paramount) took in another $5.1M on Thursday, down a fairly standard 37% from its Wednesday opening (This Is the End dropped 43% on its first Thursday, while We’re the Millers fell 31%). With $13.2M in the bank, he studio is predicting $30M over the Fri-Sun weekend, although $25-27M may […]
There’s going to be a crowd at the top of the box office this weekend, but there’s not much good news in it for anyone. According to preliminary numbers at Deadline, AMERICAN MADE (Cross Creek/Universal) took Friday with $6M (almost $1M of it from Thursday night), which should give it a $15-16M weekend. However, […]
> No miracle turnarounds for this weekend’s dismal boxoffice. BREAKING DAWN PART 1, despite a major decline from last weekend, will be in first place with $16-17M, followed by a disappointing 2d weekend for THE MUPPETS at $11M, with HUGO and ARTHUR CHRISTMAS hovering at around $7.5M (although Hugo is in far fewer theatres than […]
(Almost) everything shot up at the boxoffice on New Year’s Day, but one zoomed more than the rest: DJANGO UNCHAINED (Weinstein/Sony) challenged THE HOBBIT: AN UNEXPECTED JOURNEY (Warners/MGM) for the daily lead–falling short by only $227K–and rose a mighty 79% from Monday to $9.2M, for a total to date of $77.8M. That bodes well […]
We won’t have confirmed Saturday numbers for several more hours (or final figures until Monday), but based on preliminary grosses at Deadline, DIVERGENT (Summit/Lionsgate) held surprisingly well on its second day of release, down just 14% to $19.7M. That would be far better than the Day 2 drop for the original Twilight (down 41%), […]
Expectations were low for the holiday weekend’s expensive new openings, and that’s proving to be accurate. According to preliminary numbers at Deadline, it was the low-budget THE PURGE: ELECTION YEAR (Blumhouse/Universal) that led the group on Friday with $13.4M (including $3.6M from Thursday night), better than the $13M opening day for Anarchy, the last […]
HOTEL TRANSYLVANIA 3: SUMMER VACATION (Sony Animation/Columbia/Sony) continues to be a solid mid-level franchise. Preliminary numbers at Deadline have the opening day box office at $16.3M, the best of the trio, although it’s a bit misleading to compare that with the $11M Friday for the first Transylvania and the $13.3M for the second, since […]