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Behind the US/Worldwide Weekend Box Office – 03.19.2017

  OPENINGS:  According to published reports, Emma Watson’s deal on BEAUTY & THE BEAST (Disney) starts at a $3M base, but rises to $15M if the film reaches around $750M worldwide.  It seems like Watson can safel...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Happy Endings”

> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show:  The Office and Parks & Recreation both took that journey (the ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “A Gifted Man”

> When A GIFTED MAN came onto the scene, it had all the high-class auspices a new series could want.  The pilot was directed by Academy Award-winner Jonathan Demme, was written by Susannah Grant (Eric Brockovich) and had a...
by Mitch Salem
 
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THE SKED’S MIDSEASON RETURN: “The Office”

> Pending the return of The Voice and NBC’s high hopes for Smash, THE OFFICE is the closest thing hte network has to a successful television show.  As the series greets a new hour-mate in Up All Night, let’s ta...
by Mitch Salem
 
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THE BIJOU REVIEW: “Young Adult”





Our Review / 5 - Terrible
by Mitch Salem
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THE SHOWBUZZDAILY REVIEW: “Young Adult”

YOUNG ADULT: Worth A Ticket – Theron + Oswalt = The Real Thing   Charlize Theron plays the hell out of her character Mavis Gary in the new YOUNG ADULT.  Theron has had a curious Hollywood career, with the usual big-...
by Mitch Salem
 
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THE BIJOU REVIEW: “The Big Year”





Our Review / 5 - Terrible
by Mitch Salem
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THE SHOWBUZZDAILY REVIEW: “The Big Year”

  THE BIG YEAR:  Watch It At Home – Very Small Pleasures   THE BIG YEAR is an amiable, good-natured comedy that’s so insubstantial it seems to fly out of your memory even as you’re watching it.  If...
by Mitch Salem
 
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THE SKED REVIEW: “Enlightened”

> ENLIGHTENED – Mondays 9:30PM on HBO – If Nothing Else Is On… As a writer, Mike White is drawn to stories of delusion.  Even though their tones (and commerciality) are widely divergent, his screenplays f...
by Mitch Salem
 
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THE SKED”S PILOT + 1 REVIEW: “A Gifted Man”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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THE SKED PILOT REPORT: CBS’s “A Gifted Man” – PREMIERING TONIGHT

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 
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“MIDNIGHT IN PARIS” : Ah, Paree!

> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations.  I mention this because after more than 40...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEWS: “In A Better World,” “Rubber” & “Super”

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counte...
by Mitch Salem
 
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INSIDIOUS: What’s That Noise?

> Worth a ticket. The director and writer of Saw, James Wan and Leigh Whannell, combine again to bring us–hey, where are you going?  No, seriously:  don’t run away.  Leaving aside that Saw is rather u...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEWS: “Miral,” “Potiche” and “Peep World”

  People have been accusing Julian Schnabel’s MIRAL of being propaganda for the Palestinian cause, but in a way that’s an insult to propagandists, who are usually focused and effective at what they do.  Miral ...
by Mitch Salem
 
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