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THE STATUETTE STAKES: The Contenders (Part 3)

> Today we wind up SHOWBUZZDAILY‘s introduction of this year’s most promising Oscar contenders (see Part 1 here and Part 2 here, looking at those that could be called Also Eligible–they’re hoping just to...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Friday Studio Scorecard – 12/23/11

> Anyone who thinks the boxoffice isn’t in a slump needs a new prescription for bifocals. Note:  since December 24 is a traditionally deadly day at the boxoffice (closed theatres, family plans)  that would make ...
by Mitch Salem
 
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WEEKEND BOX OFFICE PREDICTIONS December 23-25

>With Christmas coming this Sunday a host of films arrive this important weekend, with three films opening wide Wednesday (The Girl with the Dragon Tattoo, The Adventures of Tintin, and the wide expansion of Mission: Impossible...
by Mitch Metcalf
 
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HOLIDAY BOXOFFICE: Early Friday Numbers – 12/30/11

> Deadline has initial boxoffice figures for Friday, and if the numbers hold, the results seem to be a healthy amount higher than last year’s Friday before New Year’s, allowing the holiday period–and the year&...
by Mitch Salem
 
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THE BIJOU: “We Bought” A Preview

> Fox is adopted a very interesting strategy on its upcoming Cameron Crowe/Matt Damon/Scarlett Johansson drama WE BOUGHT A ZOO.  The movie doesn’t open until December 23, but the studio will hold national “snea...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Early Saturday Numbers – 12/24/11

> As is traditionally the case, movie boxoffice declined sharply on December 24, the lowest ebb of the holiday period.  According to Deadline, MISSION: IMPOSSIBLE – GHOST PROTOCOL (Paramount) remains #1, with $5.6M o...
by Mitch Salem
 
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WEEKEND STUDIO ESTIMATES December 23-25

>Based on Friday and Saturday box office (and estimated Sunday numbers), the total box office for this weekend is now looking like only $100 million, down 24% from last year.  Projected weekend grosses for each film (summa...
by Mitch Metcalf
 
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WEEKEND BOX OFFICE PREDICTIONS Dec 30-Jan 1

>No new wide releases this weekend, the final weekend of the year as we welcome the arrival of 2012.  We are estimating a box office volume of $145 million for Friday-Sunday for the top 12 films, up 27% from $114 million l...
by Mitch Metcalf
 
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Box Office Results TUESDAY December 27

>Box office volume came back down to a normal level on Tuesday, with the top 10 films grossing a collective $45.5 million (up slightly from the $40-42 million for the December 27 date when it also fell on an early weekday in 20...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: EARLY SATURDAY NUMBERS – 12/31/11

> According to Deadline, most films were down 20-30% from Friday, which is par for the course on New Year’s Eve, due to early theater closings and non-movie plans for the night.  But there are a few oddities: Most no...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: FRIDAY STUDIO SCORECARD – 12/30/11

> As detailed in Mitch Metcalf’s Boxoffice Report, Friday’s numbers were solid but lacking any breakout excitement.  First, let’s take a quick look at the limited-run Oscar hopefuls: THE IRON LADY (Weinst...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Early Friday Numbers – 12/23/11

> Well, now it’s all up to WAR HORSE. Cameron Crowe’s WE BOUGHT A ZOO (20th) joined the market on Friday, and it appears to be back to movie jail for Crowe, because according to the Hollywood Reporter, it only made ...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Tuesday Numbers – 12/28/11

> The holiday celebrations at the studios may have been a bit premature.   Traditionally, the Tuesday after Christmas sees a 10-20% drop from Monday, and that number becomes the template for the rest of the holiday pe...
by Mitch Salem
 
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Box Office Results WEDNESDAY December 28

>Box office volume drifted down a preliminary 9% Wednesday from Tuesday, with the top 10 films grossing a collective $41.5 million (almost exactly matching last year’s December 28 total, when the date fell on a Tuesday, a...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “We Bought A Zoo”

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the pro...
by Mitch Salem
 
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