Posts Tagged ‘tv review’
 

 

THE SKED SEASON PREMIERE REVIEW: “The Client List”

  THE CLIENT LIST:  Sunday 10PM on Lifetime No one would include Lifetime’s THE CLIENT LIST on a short (or for that matter, lengthy) list of the highlights of our current remarkable era of cable television drama.  ...
by Mitch Salem
 

 
 

THE SKED REVIEW: SNL with Justin Timberlake

  If The Avengers were an episode of SATURDAY NIGHT LIVE, it might be something like the first hour of tonight’s show, a veritable all-star brigade of special guests and beloved characters presented for the celebrato...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Vikings”

  THE VIKINGS:  Sunday 10PM on History Channel Previously… on VIKINGS:  Back around the 8th Century AD, Ragnar Lothbrok (Travis Fimmel) is the one Viking visionary enough to believe that there are lands to the west...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “White Collar”

  The curtain rang down on the 4th season of WHITE COLLAR tonight, an unusually labored one.  The show still has a fair amount of style and charm, but it’s starting to feel as shackled as Neal Caffrey’s ankle ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Golden Boy”

  GOLDEN BOY:  Fridays 9PM on CBS A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in,...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Enlightened”

  I speak–clearly–not as a fan:  ENLIGHTENED was less unbearable in its second season than it was in its first. The show does have its fans, meager in number (fewer than 300,000 viewers watched the initial air...
by Mitch Salem
 

 

 

THE SKED’S PILOT (+ 1) REVIEW: “Red Widow”

  RED WIDOW:  Sunday 10PM on ABC The “2-hour premiere” of RED WIDOW actually consisted of the pilot that was shot before last year’s upfronts, combined with the first regular episode (both halves written...
by Mitch Salem
 

 
 

THE SKED REVIEW: SNL with Kevin Hart

  Comic crumbs were hard to come by on tonight’s mostly dreadful SATURDAY NIGHT LIVE.  It’s a particular disappointment because after two episodes struggling with non-comedy hosts Adam Levine and Justin Bieber...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Guys With Kids”

  It won’t surprise anyone if last night’s episode of GUYS WITH KIDS turns out to be not just its season finale but its farewell to the airwaves.  The show has struggled with ratings in the low 1s all season, ...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Psych”

  PSYCH:  Wednesday 10PM on USA PSYCH felt every one of its 7 seasons in its premiere tonight.  The show’s premise has always been thin–goofy detective Shawn Spencer (James Roday) pretends to be a psychic and...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Cult”

  CULT:  Tuesday 9PM on CW Previously… on CULT:  Stay with me here.  “Cult” is a fictional TV series that airs on a fictional version of the CW, in which the deranged followers of Billy Grimm (Rob Knep...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Bunheads”

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conv...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Suits”

  SUITS didn’t have a winter season this year so much as it had the stub of its fall season, just 6 episodes that seemed to be what was left over from the real season after an overlong holiday break.  That schedulin...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Necessary Roughness”

  Professional sports are so central to American culture, and so particularly critical to the television business, that it’s surprising the area had been largely ignored as the locale of a series until USA’s NE...
by Mitch Salem
 

 

 

THE SKED’S SEASON FINALE REVIEW: “Downton Abbey”

  The gap between British and US airings of DOWNTON ABBEY gives rise to some dislocations.  The series airs each fall in England, but PBS holds it for January-February because it doesn’t want to compete with the sta...
by Mitch Salem