Posts Tagged ‘Toronto’
 

 

SHOWBUZZDAILY @ TORONTO: “At Any Price”

With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years.  More often, the center of the country is a setting for stories of ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Madonna’s “W.E.”

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movie...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “In the House”

Francois Ozon’s IN THE HOUSE is a delicious examination of the pleasures and dangers of addictive narrative.  Storytelling (and corresponding tricks of cinematic structure) has been an interest of Ozon’s throughout...
by Mitch Salem
 

 
 

THE BIJOU REVIEW: “50/50”

> 50/50:  Worth A Ticket –  A Genuinely Feel-Good Cancer Comedy With The Big C renewed for its third season on Showtime, the concept of a comedy getting laughs from the experiences of a cancer patient is no long...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Impossible”

    THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 

 

 

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Something In the Air” and “Ginger and Rosa”

Toronto this year provided two notable portraits of teenagers growing up in a time of political turmoil, Olivier Assayas’s SOMETHING IN THE AIR and Sally Potter’s GINGER AND ROSA. Assayas’s film is about th...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Midnight Madness – “The Incident”

> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the m...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “No”

  In 1988, the Chilean military dictatorship headed by General Augusto Pinochet was forced by diplomatic pressure to finally permit a democratic election, in order to prove its claim that the country’s people support...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: Galas and Special Presentations Announced

    The Toronto Film Festival is on its way, and SHOWBUZZDAILY will be there.  The Festival, which runs Sept 6-16, today announced the bulk of its highest-profile titles, those that will screen in the Gala and Specia...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Drive”

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have...
by Mitch Salem