Posts Tagged ‘thriller’
 

 

PREMIERING TONIGHT: THE SKED’S PILOT REPORT – “Zero Hour”

  ZERO HOUR:  Thursday 8PM on ABC – Potential DVR Alert ZERO HOUR‘s pilot is an engaging piece of nonsense, but whether it can work as a continuing TV series is another question.  The premise is a DaVinci Cod...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Hostages”

  The failures of HOSTAGES were many, and they separate into two dimensions.  One–the more important to CBS–was commercial; the show proved to be dead in the water from the night it premiered against the launc...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: THE SKED PILOT REVIEW – NBC’s “The Blacklist”

  THE BLACKLIST:  Monday 10PM on NBC – If Nothing Else Is On… NBC has made it very clear that its top fall priority is the launch of the new Monday drama THE BLACKLIST.  The show has been given the network...
by Mitch Salem
 

 
 

THE SKED PILOT REPORTS: The CW’s “Ringer”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 

 

THE SKED’S SEASON FINALE REVIEW: “The Following”

  If the first season of THE FOLLOWING stands for anything, it’s that the significant difference between the best cable dramas and the vast majority of their network counterparts hasn’t been about the ability t...
by Mitch Salem
 

 
 

THE SKED MINISERIES REVIEW: “Coma”

  Not every novel needs to be a 4-hour miniseries, and a good example is A&E’s new version of COMA.  Robin Cook’s novel was capably filmed in 1978 by Michael Crichton in a brisk 113 minutes, and extending ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Side Effects”

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Low Winter Sun”

  LOW WINTER SUN just kept going around in circles.  The most characteristic hour of its season may have been its penultimate one, which aired as the first half of a 2-hour season (very possibly series) finale.  (Hour 1 ...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “The Bridge”

  THE BRIDGE:  Wednesday 10PM on FX – DVR Alert FX has assumed a leadership role in the development of serious, ambitious TV drama over the past decade (The Shield, Rescue Me, The Americans), and with its new series...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Necessary Death of Charlie Countryman”

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true,...
by Mitch Salem
 

 

 

HANNA: Children’s Hour

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conce...
by Mitch Salem
 

 
 
 
 
 
 
 
by Mitch Salem
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THE SKED’S PILOT + 1 REVIEW: “Missing”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “True Blood”

  “Are you kidding me?  It’s always the weird stuff that’s the best,” Lafayette (Nelsan Ellis) said at one point during tonight’s season finale of TRUE BLOOD–he was watching the birth o...
by Mitch Salem
 

 

 

THE SKED NETFLIX REVIEW: “House of Cards” Episodes 1-2

  The historical significance of HOUSE OF CARDS in the evolution of television is by now well-established.  It’s the first original production created specifically for Netflix, and the company made its first bet a h...
by Mitch Salem