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EARLY FRIDAY BOX OFFICE: The End of Summer

  All this summer’s box office needed for burial was a shovel, and Hollywood provided that with a Labor Day line-up devoid of any genuinely wide new releases.  The result is going to be ugly, except for a few hardy ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Hitman’s Bodyguard” Shoots Down “Logan Lucky”

  THE HITMAN’S BODYGUARD (Summit/Lionsgate) is off to a mild late-August start, but it will be enough to win the quiet weekend.  Preliminary numbers at Deadline have opening day at $8.1M (including $1.7M from Thursd...
by Mitch Salem
 
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FRIDAY BOX OFFICE: “The Dark Tower” Short, “Kidnap” OK, “Detroit” Low

  THE DARK TOWER (MRC/Columbia/Sony) will probably win the weekend, but in unimpressive fashion.  It had a $7.7M opening day (including $1.8M from Thursday night), putting it on track for a $19M weekend.  The production ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Dunkirk” Battles “The Emoji Movie,” “Atomic Blonde” Non-Explosive

  The box office race is likely to be tight this weekend, with contenders at either end of the quality spectrum.  THE EMOJI MOVIE (Columbia/Sony) drew first blood with a $10.2M opening day (including $900K from Thursday n...
by Mitch Salem
 
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Friday Box Office: “Dunkirk” Victorious, “Girls Trip” Strong, “Valerian” Crashes

  There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood.  His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “War” Unspectacular, “Spider-Man” Drops, “Big Sick” Expands

  Despite some of the best reviews of the year for any movie, big studio or indie, WAR FOR THE PLANET OF THE APES (TSG/20th) is off to a merely OK start.  According to preliminary numbers at Deadline, it had a $21.1M open...
by Mitch Salem
 
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