Posts Tagged ‘showbuzzdaily Sundance reviews’
 

 

SHOWBUZZDAILY Sundance Film Reviews: “Save Yourselves!” & “The Fight”

  SAVE YOURSELVES! (no distrib):  A moderately amusing sketch that doesn’t quite have the heft for feature length.  Writer/directors Alex Huston Fischer and Eleanor Wilson satirize Brooklyn hipsters and sci-fi in t...
by Mitch Salem
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SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

  HORSE GIRL (Netflix – February 7):  Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours.  It’s an impressi...
by Mitch Salem
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SHOWBUZZDAILY Sundance Reviews: “The Father,” “Nine Days” & “The Glorias”

  THE FATHER (Sony Classics – TBD):  It’s probably foolhardy to start making predictions about next year’s Oscars when this year’s haven’t even been handed out yet, but it’s hard to ima...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Reviews: “The Nest,” “Wendy” & “Sylvie’s Love”

  THE NEST (no distrib):  Sean Durkin’s first feature since 2011’s Martha Marcy May Marlene presents its emotions with such high-intensity beams that it often feels as though the film is going to slip into the...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Reviews: “Shirley,” “Surge” & “The Climb”

  SHIRLEY (no distrib):  Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss.  The script by Sarah Gu...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Reviews: “Promising Young Woman,” “Four Good Days” & “Zola”

  PROMISING YOUNG WOMAN (Focus/Universal – April 17):  Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rive...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Miss Americana,” “Ironbark” & “Scare Me”

  MISS AMERICANA (Netflix – January 31):  There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Luce” & “Sonja: The White Swan”

  LUCE (Neon):  Julius Onah’s film was one of the most gripping and provocative of the festival, combining a tale about social and racial tensions with the suspense of a psychological thriller.  Based by director J...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “State Of the Union” & “Fighting With My Family”

  STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Brittany Runs A Marathon” & “Big Time Adolescence”

  BRITTANY RUNS A MARATHON (Amazon):  Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jill...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Report” & “Them That Follow”

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Sunlit Night” & “Wounds”

  THE SUNLIT NIGHT (no distrib):  The last thing one would have expected from the director of the genuinely scabrous Wetlands was a follow-up that seems to trying to meld NY Jewish comedy with the kind of enchanted romcom...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawo...
by Mitch Salem