Posts Tagged ‘sex’
 

 

THE SKED’S PILOT + 1 REVIEW: “Mistresses”

  MISTRESSES:  Monday 10PM on ABC Previously… on MISTRESSES:  A group of friends are all enmeshed, one way or another, in wayward sex, including Savannah (Alyssa Milano), a lawyer who compensated for the woes of ha...
by Mitch Salem
 

 
 

THE SKED PILOT + 1 REVIEW: “Girls”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Magic Mike”

  MAGIC MIKE:  Worth A Ticket – Soderbergh Again Earns His Crumpled Dollars   Although he hasn’t appeared in any of the year’s giant action blockbusters (GI Joe 2, probably not that giant anyway, w...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Shameless”

  SHAMELESS:  Sunday 9PM on Showtime SHAMELESS often feels like the raging id of its showrunner and (US) creator, pillar of the Hollywood establishment John Wells.  Wells is the man behind ER, the senior producer who gui...
by Mitch Salem
 

 

 

THE SKED PILOT + 1 REVIEW: “The Client List”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “American Horror Story – Asylum”

  AMERICAN HORROR STORY – ASYLUM:  Wednesday 10PM on FX WHERE WE WERE:  Doesn’t matter.  It wasn’t clear until late in Season 1, but the gimmick of AMERICAN HORROR STORY is that each season will offer ...
by Mitch Salem
 

 

 

THE SKED: Today In Network Indecency

In 2003, ABC’s NYPD BLUE aired a scene that included a brief shot of actress Charlotte Ross getting into a shower, exposing her rear end and the side of her breast to the camera.  The Federal Communications Commission fi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Lovelace”

  There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric.  The laziest–o...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Californication”

  CALIFORNICATION:  Sunday 10:30PM on Showtime Even in the relatively free-and-easy world of paycable, there’s something about CALIFORNICATION that seems to get under people’s skin.  Perhaps it’s the ca...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 

 

THE SKED’S SERIES PREMIERE REVIEW: ABC’s “Mistresses”

MISTRESSES:  Monday 10PM on ABC – If Nothing Else Is On… These days, primetime soap operas usually try to be something else as well:  comedies (Desperate Housewives), musicals (Glee), thrillers (Revenge), medical ...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Girls”

  GIRLS:  Sunday 9PM on HBO The newly Golden Globe-winning GIRLS has returned, despite all its intervening success and attention, with its messiness intact.  “Messy” is a relative term in the world of Girls,...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Shame”

> Although Fox Searchlight didn’t actually acquire Steve McQueen’s film Shame until last Saturday, in a sense the marketing campaign for the film began when the producers made it clear that the film would not be edi...
by Mitch Salem
 

 
 

THE SKED’S SEASON PREMIERE REVIEW: “Revenge”

  REVENGE:  Sunday 9PM on ABC WHERE WE WERE:  Discovering that the long-vanished mother of Emily Thorne (Emily VanCamp), who’s really Amanda Clarke (don’t get us started), is actually alive.  This was among ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Don Jon’s Addiction”

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulle...
by Mitch Salem