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THE SKED SEASON FINALE REVIEW: “Hell On Wheels”

  The 2nd season of HELL ON WHEELS was different, and perhaps somewhat better, than its first.  (Behind the scenes, experienced producer John Shiban was brought on to showrun with series creators Joe and Tony Gayton.)  I...
by Mitch Salem
 
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SHOWBUZZDAILY Season Finale Review: “Succession”

  The most tantalizing question of the Summer 2018 TV season is whether Jesse Armstrong, the creator of HBO’s slow-boil triumph SUCCESSION, knew what he was doing all along, or if the first 3-4 episodes were as uncer...
by Mitch Salem
 
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SHOWBUZZDAILY Season Finale Review: “The Walking Dead”

  There are many things that divide Americans these days, but the same thought may have gone through much of the nation’s mind tonight:  Is it truly over?  Can we finally move on from the Negan storyline on The Wal...
by Mitch Salem
 
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THE SKED’S SEASON FINALE REVIEW: “The Following”

  If the first season of THE FOLLOWING stands for anything, it’s that the significant difference between the best cable dramas and the vast majority of their network counterparts hasn’t been about the ability t...
by Mitch Salem
 
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SHOWBUZZDAILY Season Finale Review: “Westworld”

  Do Westworld‘s creators Jonathan Nolan and Lisa Joy have free will?  This third season of HBO’s was supposed to be fundamentally different from the first two, and certainly things changed in some key ways. ...
by Mitch Salem
 
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THE SKED SEASON FINALE WATCH: “American Horror Story”

> WARNING:  Scaaaarrrry Spoilers Within You have to give AMERICAN HORROR STORY the credit of its crazy, crazy convictions.  Ryan Murphy and his gang of producers followed through on where the last few episodes appeare...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Suburgatory”

  It would have been nice if ABC Marketing hadn’t so broadly teased the surprise ending of tonight’s Suburgatory season finale in their promos that they more or less gave it away.  (This is why powerful produc...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Franklin & Bash”

  With far less fanfare than last night’s farewell to The Closer, tonight TNT rang down the season’s curtain on FRANKLIN & BASH, a show that can barely be bothered to remember that a season finale is differ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “House Of Lies”

> After a full season, it’s still not clear just what HOUSE OF LIES is. The season finale, written and directed by series creator Matthew Carnahan, centered on what became the show’s main storyline in the latter par...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  Check Out THE SKED’s Complete Season Finale Reviews HERE   How can anyone say that LAW & ORDER:  SPECIAL VICTIMS UNIT has an antiquated feel, when the producers proved in the last scene of tonight’s...
by Mitch Salem
 
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THE SKED: Early Weekend Ratings for SNL, Weeds & Boardwalk Empire

  Not a lot of drama in the preliminary numbers for this weekend’s big TV events. On Saturday, SNL made its season debut with guest host Seth MacFarlane and musical guest Frank Ocean, and had a 2.8 rating in 18-49s, ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “The Vampire Diaries”

   THE VAMPIRE DIARIES brought its A-game to its 3rd season finale, wrapping up (or at least advancing) some storylines while providing massive fodder for Season 4.  It should be noted that Diaries thrives on plot twists...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Fairly Legal”

  There were a lot of nips and tucks in the now-concluded 2d season of USA’s FAIRLY LEGAL.  The show overall had a less comedic feel, and the heroine, Kate Reed (Sarah Shahi), was turned into more of an adult, which...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Parenthood”

> PARENTHOOD is sort of the Bizarro version of a broadcast network drama:  it shines when addressing the kind of tiny moments of human interaction that just about every other show on TV can’t be bothered to notice, b...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “30 Rock”

    The dirty little secret at the heart of 30 ROCK has always been that it doesn’t really have one–a heart, that is.  That doesn’t make the show any less brilliantly written or superbly performed, ...
by Mitch Salem
 
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