Posts Tagged ‘season finale review’
 

 

THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall ...
by Mitch Salem
 

 
 

THE SKED Series Finale Review: “Dexter”

  It wasn’t a great final season for DEXTER, and tonight’s last episode muffed its chance at a fully satisfying conclusion by falling into the trap of one twist too many.  In a way, that was fitting for a seri...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Boardwalk Empire”

  The Season 3 finale of BOARDWALK EMPIRE, like the season itself, was an exercise in patience and a mix of satisfaction and anti-climax.   Written by series creator Terence Winter and Executive Producer Howard Korder, a...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Revenge”

  Heroes probably still sets the bar for disastrous second seasons of initially enjoyable TV shows, but this year’s REVENGE came uncomfortably close.  ABC more or less acknowledged that fact when it (in a genteel, c...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Veep”

  No show enjoys running around in circles more than VEEP.  Armando Ianucci’s political sitcom glories in Vice-President Selina Meyer (Julia Louis-Dreyfus) and her staff of venal incompetents mistakenly navigating t...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Shameless”

  In the post-Homeland era of Showtime, SHAMELESS, the network’s Parenthood on crack, has been pushed even farther to the background–and to be sure, the two shows aren’t comparable in terms of seriousness...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Vampire Diaries”

  I get it:  teen vampires, ick.  THE VAMPIRE DIARIES is never going to win a major Emmy–it’s never even going to win a Golden Globe.  But there isn’t a long-running show on television that hums along ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “True Blood”

  This was, for the most part, a solid rebuilding season for TRUE BLOOD.  The show survived a replacement in showrunners when series creator Alan Ball stepped down after 5 years–and then a replacement of that replac...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Vikings”

  History Channel has been on quite a streak in its last two seasons.  Its first foray into scripted television, the miniseries Hatfields & McCoys, was a surprise smash hit, as was this year’s follow-up The Bibl...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Chicago Fire”

  NBC is all-in on CHICAGO FIRE.  Not only has it given the show a plum spot for the fall on Tuesdays with The Voice as its lead-in, it’s ordered a police-oriented spin-off for midseason.  All this enthusiasm is a ...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “The Bridge”

  The line can be thin between an ambitious, wide-ranging drama series and a mess, and honestly, you could argue THE BRIDGE both ways.  It was resistant to being pigeonholed to a fault, and it seemed to resist, too, the c...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Hunted”

  For reasons sociologists can ponder, we happen to be at a great moment for spy stories.  Last year’s remake of Tinker, Tailor, Soldier, Spy, the superb Homeland (barring last week’s speed-bump episode) and t...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  When a show that’s clearly been losing its way creatively suffers in the ratings, like Revenge, it’s understandable.  But ONCE UPON A TIME has run out of steam this season much faster than ABC likely anticip...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Mad Men”

  There was hardly a moment in Season 6 of MAD MEN when Don Draper (Jon Hamm) seemed to feel comfortable in his own skin.  Oh sure, he could gather up some venom when he had the chance to cut colleague Ted Chaough (Kevin ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The New Normal”

  Over the course of the season, THE NEW NORMAL toned down its most disastrous miscalculation, which can be summarized in two words:  Ellen Barkin.  Not Barkin the very fine actress, of course, but the character she was ...
by Mitch Salem