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THE SKED SEASON FINALE REVIEW: “Nikita”

  With its endless governmental and quasi-governmental conspiracies and its sci-fi technology, NIKITA has always flirted with sheer silliness, and in its Season 3 finale the show went all the way.  Its ratings have also f...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Longmire”

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: ‘Parks & Recreation”

  Like the famous tortoise, PARKS & RECREATION has hung in there long enough to become the highest-rated (all-but-certainly) returning sitcom on NBC’s air.  That is, admittedly, a low bar, but it’s still a...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Revolution”

  The second half of REVOLUTION‘s season tried to be interesting, God knows.  The initial run of episodes after the pilot mostly seemed to consist of our heroes trudging through forests, on the trail of militia-capt...
by Mitch Salem
 
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THE SKED Season Finale Review: “Hello Ladies”

  The formulaic TV sitcom plot can be summed up like this:  the protagonist has some understandable goal, but says or does the worst possible thing to achieve it, causing chaos–yet things work out OK in the end, and...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Guys With Kids”

  It won’t surprise anyone if last night’s episode of GUYS WITH KIDS turns out to be not just its season finale but its farewell to the airwaves.  The show has struggled with ratings in the low 1s all season, ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “The Mindy Project”

  THE MINDY PROJECT has spent much of its first season shambling toward what kind of show it wants to be, but its struggles have become progressively more entertaining to watch. Mindy started with an enormous amount of goo...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “House of Lies”

  Showtime’s HOUSE OF LIES was a bit more ambitious in its second season, and that was a good move, even if the results were uneven.  In its initial season, House was all too clearly a companion piece for Californic...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Mr. Selfridge”

  Think of MR. SELFRIDGE as the methadone to Downton Abbey‘s pure heroin.  It’s not remotely the real thing, but it serves to feed the craving through these many months until Downton returns in January 2014. ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Twisted”

  Whenever The Killing feels badly about how abused it gets for being a lame murder mystery dotted with time-wasting red herrings, it can look over at TWISTED to boost its morale.  With the help of the biggest lead-in ABC...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Happy Endings”

  Here lies HAPPY ENDINGS, one of the funniest comedies on all of television–foully murdered by some of the worst scheduling moves in recent network memory.  ABC began the season by sending the show (along with Don&...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Da Vinci’s Demons”

  Starz’s DA VINCI’S DEMONS was unsatisfactory in just about every respect, all the way through to tonight’s Season 1 finale, a cluster of cliffhangers that resolved almost nothing.  Watching the end of ...
by Mitch Salem
 
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THE SKED Season Finale Review: “American Horror Story: Coven”

  This year’s COVEN season of AMERICAN HORROR STORY was as cohesive as the proudly bizarre  series is ever likely to get.  That entailed a slight shortage of the WTF variety moments that have made the two previous ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “New Girl”

  NEW GIRL only got better this season.  There are TV comedies that are good at silly (Happy Endings, The Neighbors), and there are some that are great at soulful (Parks & Recreation more than any).  But combining si...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Motive”

  Even among procedurals, ABC’s Canadian summer series MOTIVE was a bare-bones example of the genre–it was virtually abstract.  The show had a single gimmick:  at the start of each episode, the killer and vic...
by Mitch Salem
 
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