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THE SHOWBUZZDAILY LA FILM FEST REVIEW: “Ruby Sparks”

  RUBY SPARKS:  Worth A Ticket – A Narrative Feat   Woody Allen is one of the most influential figures in modern independent film, but his ghost is usually evident in the many romantic comedy-dramas we get each...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 7/27/12

  How much of Friday’s mediocre boxoffice is attributable to a post-Aurora uneasiness about going to multiplexes, how much to competition from the most watched Olympics Opening Ceremonies in history, and how much to ...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 7/29/12

  THE DARK KNIGHT RISES (Warners) did indeed have a big Saturday, as the preliminary numbers estimated–up 40% from Friday and fueling what should be a $63-65M 2d weekend, down about 60% from the opening.  It continu...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 8/3/12

  In terms of percentage, THE DARK KNIGHT RISES (Warners) should have about the same Weekend 3 drop that The Dark Knight did, but since it’s already below Dark Knight, the actual weekend number will be around 15% low...
by Mitch Salem
 
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THE SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 8/5/12

  The 41% Weekend 3 drop for THE DARK KNIGHT RISES (Warners) is a bit better than Dark Knight‘s parallel 43% decline, but in actual numbers, Dark Knight‘s 3d weekend is $6.3M ahead ($42.7M vs $36.4M), and the $...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 8/10/12

  OPENINGS:  The magic weekend number for THE BOURNE LEGACY (Universal) is probably $40M, now that Friday has come in a bit lower than preliminary estimates suggested at $14M.  Unless business collapses on Saturday, expe...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 8/26/12

  The yummiest weekend of the year for right-wing propagandists. OPENINGS:  2016:  OBAMA’S AMERICA (Rocky Mountain) drew its core audience to the tune of $6.2M, which gave it a return in the same neighborhood as re...
by Mitch Salem
 
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THE SHOWBUZZDAILY 10 BEST FILMS OF 2012

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the cal...
by Mitch Salem
 
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