Posts Tagged ‘Rachel Weisz’
 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Disobedience” & “Roman J. Israel, Esq.”

  DISOBEDIENCE (no distrib):  Sebastian Lelio’s adaptation (with Rebecca Landiewicz) of Naomi Alderman’s novel is one of the surprises of the festival.  It would be perfectly reasonable for the idea of Rachel...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL Day 4 Capsule Reviews: “Sing,” “Denial,” “Nocturnal Animals,” “Moonlight” & “Queen of Katwe”

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validat...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “The Lobster”

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult m...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Oz the Great and Powerful”

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and cramme...
by Mitch Salem
 

 

 

2012: THE YEAR’S HONORABLE MENTIONS (And More)

  Showbuzzdaily’s Top 10 Films of 2012 can be found here, and the Worst 10 are here.  But there were other movies this year worth remembering: HONORABLE MENTIONS CLOUD ATLAS (Warners – October – written ...
by Mitch Salem
 

 
 

CRITICS AWARDS: “Zero Dark” Fires the First Shot

  Year-end awards from critics groups have two purposes in the big-picture (which is to say the Oscar) context.  In the aggregate, if enough of the groups are in agreement to form a consensus, they can make an accolade se...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem