Posts Tagged ‘la complex’
 

 

THE SKED’S MONDAY NETWORK SCORECARD – 9/24/12

A good start for the Peacock. NBC:  Regular season competition dented but didn’t break the Monday line-up.  THE VOICE was the highest rated show of the night at 4.3, more than 50% higher than the Dancing With the Stars ...
by Mitch Salem
 

 
 

THE SKED’S MONDAY NETWORK SCORECARD – 9/17/12

NBC would like last night to repeat over and over, a la Groundhog Day; FOX wishes it never happened. NBC:  With a 4.1 rating, REVOLUTION opened big.  V big.  The Bionic Woman big.  Wait, those were fantasy adventures that h...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 9/3/12

No one watches TV on Labor Day. NBC:  The post-Olympics scheduling experiment reached its nadir, as STARS EARN STRIPES hit a new low 0.9 in its finale, and GRIMM‘s 1.4 was down 0.2 from last week and just even with its n...
by Mitch Salem
 

 
 

THE SKED’S MONDAY NETWORK SCORECARD – 8/27/12

Nobody is earning any stripes at NBC. NBC:  STARS EARN STRIPES is now a full-fledged disaster, falling to 0.9 in its 3rd week.  GRIMM fell a bit as well to 1.6 against reruns, which isn’t much better than the show had b...
by Mitch Salem
 

 

 

THE SKED’S TUESDAY NETWORK SCORECARD – 8/14/12

NBC wins a night it would have won even without the Olympics. NBC:  AMERICA’S GOT TALENT was the highest rated show of the night with the same 2.7 rating it had before the Olympics.  A cutdown version of the STARS EARN ...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 7/24/12

Don’t trust ABC with your life. ABC:  The network’s semi-improvised comedy TRUST US WITH YOUR LIFE plummeted even from its awful premiere numbers, scoring 0.6 in both of its half-hours–that was below the sitc...
by Mitch Salem
 

 

 

THE SKED’S TUESDAY NETWORK SCORECARD – 6/17/12

NBC stumbles toward the Olympics. NBC:  AMERICA’S GOT TALENT continued to fall as it heads to its season finale, with a 2.6 that (barely) won its hours but was down from last week.  LOVE IN THE WILD edged up a bit to 1,...
by Mitch Salem
 

 
 

THE SKED TUESDAY NETWORK SCORECARD – 5/29/12

    The real question is whether Hatfields & McCoys outrated all the networks again. NBC:  AMERICA’S GOT TALENT is so far the dominant network show of the early summer, its 3.7 more than doubling every othe...
by Mitch Salem
 

 

 

THE SKED MIDSEASON (?) FINALE REVIEW: “The LA Complex”

    Even by CW standards–and this is a network where shows that could barely hold a slot in basic cable get renewed–THE LA COMPLEX is a clear flop, watched by about  2/10 of 1% of the 18-49 year old audie...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 5/22/12

    One-third of last year’s viewers have left.   FOX:  The next-to-last AMERICAN IDOL of the season, airing against repeats on every other network, scored a 4.2, which gave FOX the nightly win but was dow...
by Mitch Salem
 

 

 

THE SKED’S TUESDAY NETWORK SCORECARD – 5/15/12

  This is why CBS doesn’t need to change its line-up much for the Fall. FOX:  Although the ratings don’t reflect it, last night’s 2-hour GLEE  included probably the series’ strongest episodes of t...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 5/8/12

        Season finales (some of them) shake things up. NBC:  THE VOICE finale was up almost 40% from last week’s episode, to a 4.3 that handed NBC the night.  The only stumble came from moving FASHIO...
by Mitch Salem
 

 

 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 5/2/12

> The lows keep coming. ABC:  MODERN FAMILY, THE MIDDLE, SUBURGATORY and REVENGE all set or tied season lows last night, and the only reason DON’T TRUST THE B— IN APT 23 didn’t was because it had aired th...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 5/1/12

  Little to be GLEEful about. FOX:  Despite a major episode that included NY auditions for 2 of the characters that the season had been building to (as well as, this being GLEE, a musical spousal abuse subplot, and a rock...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “The LA Complex”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem